Answer:
Explanation:
he theme of a story is what the author is trying to convey — in other words, the central idea of the story. Short stories often have just one theme, whereas novels usually have multiple themes. The theme of a story is woven all the way through the story, and the characters' actions, interactions, and motivations all reflect the story's theme.
But don't confuse theme with the story's plot or moral. The plot is simply what happens in the story and the order of the story's events, and the moral is the lesson that the writer wants the main character (and by extension, you) to learn from the story. Each of these serves the overall theme of the story. That is, the events of the story illustrate the theme, and the lesson that you learn relates directly to the theme.
So when you're trying to recognize the theme of a story, ask yourself what the author is trying to convey through the characters and events of the story. For instance, in The Catcher in the Rye, Holden Caulfield's actions are motivated by his not wanting to grow up, so one of the main themes of this novel is the preservation of innocence.
number 1 is A, and number 2 is A also
Answer:
1.Logline: Joao, a deeply paranoid Brazilian cop, escapes Brazil and clashes with Eva, a wealthy Norwegian trader suffering an existential crisis.
Explanation:
SORRY
Answer:
:'( Why did you leave my fantasy story......
Explanation:
In Hunt’s (The Seas ) overstuffed and uneven novel set in New York, circa 1943, an aging Nikola Tesla lives at the Hotel New Yorker and cares for (and chats with) pigeons while planning what could be his boldest invention yet. He forges an unlikely friendship with Louisa Dewell, a 24-year-old chambermaid at the hotel who also keeps a pigeon coop. The book alternates between Niko’s reminisces of turn-of-the century Manhattan and Louisa’s current domestic dramas; Niko revisits old grievances concerning the usurpation or dismissal of his many inventions, and Louisa gets ensnared in her zany father’s mission to travel back in time and reconnect with his dead wife via a time machine built by his lifelong friend Azor Carter. Assisting in the scheme is Louisa’s mysterious beau, Arthur Vaughn, who may or may not be from the future. Although many events are drawn from Tesla’s life, he and his peers, including Thomas Edison and John Muir, are cartoonish. Likewise, the city backdrop is drenched in rosy nostalgia (even Hell’s Kitchen is a quaint neighborhood). Each individual plot thread has potential, but the cumulative effect is dulled by an unwieldy structure.
