Alfred Doolittle is a smooth-talking garbage man, a serial monogamist (although he's not always really<span> married), a drunk, and a deadbeat dad. He's got a lot to say about "middle class morality" and complicated theories about the deserving and undeserving poor. He has principles, too, but they're not exactly conventional: he has no trouble milking five pounds from Higgins, but he doesn't want anymore than that. He wants just enough money to have a few drinks and some fun.</span>
In order to understand Doolittle, you have to understand how he speaks. This exchange is notable:
<span>DOOLITTLE ["most musical, most melancholy"] I'll tell you, Governor, if you'll only let me get a word in. I'm willing to tell you. I'm wanting to tell you. I'm waiting to tell you.
HIGGINS. Pickering: this chap has a certain natural gift of rhetoric. Observe the rhythm of his native woodnotes wild. "I'm willing to tell you: I'm wanting to tell you: I'm waiting to tell you." Sentimental rhetoric! That's the Welsh strain in him. It also accounts for his mendacity and dishonesty.</span><span> (2.232-3)</span>
He is the sum of his mysterious speaking ability. You can describe what Doolittle's saying with all sorts of fancy Greek words, but it's enough to note how he repeats those three phrases that Higgins singles out, and how his speech is sort of singsong-y. Whether or not we believe what Doolittle's talking about doesn't matter, it sounds nice. These skills get Doolittle into trouble when Higgins nominates him for some such speaking position…and he gets it, along with a generous income. He can't handle all the money; he doesn't want to be "touched" – asked to spare some change – in the same way he touched Higgins.
<span>Doolittle demonstrates how powerful and potentially dangerous words can be. Lucky for us, his intentions are (mostly) honorable. He's the character most prone to lecturing – yes, even more so than Higgins – and though his theories may not be entirely logical, his little sermons do raise some issues regarding class relations. Think of him this way: he's a stereotype of a drunken poor guy…with an oratorical twist.</span>
The equipment belong's to the tennis team.
Answer:
A
Explanation:
All the others are not correct because they either don't have a comma before the quote or are worded incorrectly.
Answer:
In contemporary literary studies, a theme is a central topic a text treats. Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". Themes are often distinguished from premises.
this is the link https://en.wikipedia.org/wiki/Theme_(narrative)
Explanation:
Subject is a topic that acts as a foundation for a literary work, while a theme is an opinion expressed on the subject. For example, a writer may choose a subject of war for his story, and the theme may be his personal opinion that war is a curse for humanity.
Answer:
Letter to a friend.
Explanation:
674, Boulevard Appartments,
New York City, US
Dear Alice,
How are you doing? I hope this letter finds you in good health. I am doing good but facing some problems at school.
You know that our school is regarded as the best and top-rated schools in our city, but there are some practices that I don't like. For instance, there is no practicality in our studies. All we are imparted with is theoretical knowledge. No practical learning skills are being practiced in this school. The second problem is that there is a load of subjects to study. I mean, first, they already teach us only theory, then, they don't give us any choice in subjects, we have to study a lot of subjects. And, lastly, we hardly get any time to freshen our minds. We seldom get sports periods in a week. Many times our sports periods are also taken up by our subject teachers as a substitute.
I am thinking to send an email to our board members because it is really stressing out all students. Such tireless teaching is making our brain process slow. What do you say about this? I hope to listen from you soon.
With love,
Tina
