Soprano is the highest female voice type. ...
Mezzo-Soprano is the second highest female voice type. ...
Contralto is the lowest female voice type. ...
Tenor is the highest male voice type you will find in a typical choir. ...
Baritone is the most common male voice type
Answer:
Love Song by T. S. Eliot
In the opening line, the speaker states, "Let us go then, you and I."
The "you" here refers to the woman that J. Alfred Prufrock desired to have a sexual encounter with. As the narrator, Prufrock was soliciting and trying to convince his lover to go along with him to the red-light district, where they could pin themselves together like butterflies in sexual euphoria. Just like all adolescents, many people are unaware of the proper place of sex in marriage. As a result, many are usually drawn to experience sex in fantasy. It has been proven psychologically and medically that sex is very good and healthy, but only in marriage.
Explanation:
The Love Song of J. Alfred Prufrock is a modernist poem written by T.S. Eliot in 1917. In it, Eliot fully explored and indicated the youthful exuberance felt by adolescents and their moral ambivalence, especially with regard to sex vis.-a-vis their Christian upbringing.
Answer:
Turquoise
Explanation:
Scarlet: red
magenta: red
orange comes from red and yellow
I hope this helps!
C. Suffering. Siddhartha was a prince who spend all of his young years behind confined walls in a lavish estate. His father did this to prevent him from seeing the suffering that was common among the regular people. When Siddhartha climbed the wall in secret, he was astonished by the poverty, hunger, and disease among the commoners. This inspired him to seek inner understanding about ending suffering and started his path of becoming Buddha.
Answer:
a. Terraced dynamics
Explanation:
Terraced dynamics, a unique characteristic of Baroque music, has to do with a quick alteration in tempo or volume that does not involves a progressive crescendos and decrescendos. The harpsichord, the basic keyboard tool of the era, could majorly perform forte (loud) or piano (soft) only, and couldn't perform crescendo or decrescendo in between, and thus results in a quick shift in dynamics. It is a specific character of music that represents it's success.
In some cases, they were highlighted in the score, but a large sort of area, it was agreed upon mostly by the performers or were directed by conventions which was fully expressed to all musicians.
