Question

How did events in the last quarter of the 19th century both reaffirm and contradict the idea that the United States wanted to create a "melting pot" of many cultures?
Document 1

Not like the brazen giant of Greek fame,

With conquering limbs astride from land to land:

Here at our sea-washed, sunset gates shall stand

A mighty woman with a torch, whose flame

Is the imprisoned lightning, and her name

Mother of Exiles. From her beacon-hand

Glows world-wide welcome; her mild eyes command

The air-bridged harbor that twin cities frame.

"Keep, ancient lands, your storied pomp!" cries she

With silent lips. "Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tossed, to me,

lift my lamp beside the golden door!"

- Emma Lazarus. The New Colossus (inscribed at the base of the Statue of Liberty), 1903.

Document 2

"..SEC.12. That no Chinese person shall be permitted to enter the United States by land without producing the proper officer of customs the certificate in this act required of Chinese persons seeking to land from a vessel. And any Chinese person found unlawfully within the United States shall be caused to be removed therefrom to the country from whence he came, by direction of the President of the United States, and at the cost of the United States, after being brought before some justice, judge, or commissioner of a court of the United States and found to be one not lawfully entitled to be or remain in the United States....SEC.14. That hereafter no State court or court of the United States shall admit Chinese to citizenship; and all laws in conflict with this act are hereby repealed. SEC.15. That the words "Chinese laborers," whenever used in this act, shall be construed to mean both skilled and unskilled laborers and Chinese employed in mining."

- Chinese Exclusion Act. May 6, 1882

Answer 1

Answer:

The melting-together metaphor was in use by the 1780s. The exact term "melting pot" came into general usage in the United States after it was used as a metaphor describing a fusion of nationalities, cultures and ethnicities in the 1908 play of the same name.

Explanation:

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