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irga5000 [103]
3 years ago
6

Renaissance instrumental

Arts
1 answer:
navik [9.2K]3 years ago
5 0
Instrumental music throughout the Renaissance was closely associated with vocal music. Only at the Sistine Chapel in Rome, and at a few other chapels with choirs of competent singers, was polyphonic church music consistently sung unaccompanied. Elsewhere the organ, lute, viols, or other instruments accompanied, doubled, or substituted for voices, and organists developed a huge repertory of music for use in church services, including preludes, interludes, and arrangements of liturgical melodies. In secular music, the lute remained popular both for solos and in ensembles; clavier instruments were coming into wider use, and hundreds of pieces were written for chamber music ensembles.
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Describe the development of Mexican mariachi music. What are the origins of this style and how has it changed over the years? Ex
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Answer:

ORIGIN OF MARIACHI

Proficient artists went with Hernán Cortés when he showed up in what is currently Mexico in 1519. Among their instruments were the harp and the vihuela, models of those later utilized by the mariachi. Locals, who had their own profoundly evolved melodic conventions, immediately aced European melodic practices. With the importation of huge quantities of dark slaves, African music was likewise brought to Mexico during the early frontier time frame. Numerous provincial conventions of mestizo people music, including that of the mariachi, came about because of the resulting social and melodic mixing of indigenous and outside components.

DEVELOPMENT OF MARIACHI

While its underlying foundations are provincial, the contemporary mariachi is a urban wonder related with post-progressive Mexico City. It was in that country's capital and head city that the urban mariachi was conceived and where a large portion of its advancement occurred. Remnants of prior kinds of mariachis may even now be found in rustic Mexico, yet the urban mariachi has been the prevailing model since the 1930s.

MARIACHI INSTRUMENTATION OR STYLES

When the new century rolled over, a common mariachi comprised of four performers. While exact instrumentation could change with each gathering, local inclinations existed. The two most unmistakable mariachi areas were that of focal Jalisco, which favored two violins, vihuela (a little, guitar-like instrument with a curved back and five strings), and guitarrón (an enormous, six-string bass variant of the vihuela); and that of southern Jalisco and Michoacán, which favored two violins, harp, and guitarra de golpe (the first mariachi guitar).

IMPACT OF MARIACHI ON THE MEXICAN PEOPLE

Mariachi music arrived at its top in prevalence during the 1950s and 1960s. From that point forward, it has gotten progressively minimized by the interchanges media that at first launch it to popularity. Except for secluded endeavors to mix new essentialness into the custom from outside sources, generally minimal new mariachi music is made or performed today. By the by, the mariachi stays sought after for social capacities in Mexican and Mexican-American people group, where it has become a profoundly established social convention. Its ongoing recovery in the US has helped give new life to the mariachi, whose intrigue rises above ethnic gatherings and national outskirts.

Explanation:

A particular sort of Mexican melodic gathering or group thing. An individual artist individual from a mariachi gathering (equivalent word: mariachero) descriptor. A class or style identified with the mariachi, e.g., mariachi music, mariachi trumpet. Since the 1930s, the mariachi has been generally viewed as the quintessential Mexican people inferred melodic gathering, and has become an organization representative of Mexican music and culture. Mariachi bunches are right now found in numerous nations around the globe.

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