The reason was she didn’t want Luke to see her covered in dirt because she had a crush on him So when Luke appears in the mist, she was conscious of her looks, she straightened her dirty T-shirt and comb the loose hair out of her face and had to find an excuse to get out of sight.
Neville Brody has viewed the magazine as a dimensional object existing in time and space, and he has experimented with the continuity of design from one issue to the next. His contents page logo for the face , for example, deconstructed from letters to abstract glyphs over several issues
<h3>Continuity of design</h3>
Utilizing continuation will help you as a graphic designer direct the eyes of your audience through your designs. In addition to building a connection between the design and your viewers, this enables you to draw their attention to particular components that you want them to see.
The Continuity of design principle's ability to be applied to both vertical and horizontal movement is one of its most important features. Let's examine the real-world applications of this idea, particularly as they pertain to graphic design.
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Answer:
d. Raphael
Explanation:
Poussin was fascinated by ancient Rome and Italian Renaissance cultures. In his Et in Arcadia Ego that fascination has been translated into a visual text illustrating rational order and classicism. It is reminiscent of which of Raphael.
The two that make green is blue and yellow
Answer:
Circle because shapes are 2 dimensional and the others are all 3 dimensional
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