For the first one, I would start by mentioning the characters crime, add something about how it was inexcusable, then incorporate a condensed precis on the characters situation (leaving out any bits that could embody the characters freedom). And end with a statement that discloses that your appeal is unarguable because (enter main argument here) and that is why so and so should be imprisoned.
<span>For the second question, I would personally choose the feminist because it would in theory be easier to explain their basic philosophy and how it is affecting the plot. Because I don't know who the character is, I can't really elaborate further. But please contact me if you need any more help, I'll do what I can. </span>
Answer:The similes and metaphors that Montag uses to describe Clarisse demonstrate his fascination an infatuation with her.
Explanation:
1. The correct answer is glimmers of hope for his sons.
When Macbeth and Banquo hear the witches' prophecies, they tell them that Macbeth will be king, but that Banquo's children will inherit them. Banquo initially doesn't believe the witches, but as time goes by, he stars being happy for his progeny, although he also grows concerned about Macbeth's sanity.
2. The correct answer is will have no heirs to the throne.
According to the prophecy, Macbeth will become king, but will be inherited by Banquo's children. Macbeth soon realizes that his own progeny will not inherit the throne, which becomes clear when Lady Macbeth dies, and he never remarries before he himself dies.
3. The correct answer is anxiety.
Fleance is Banquo's son who is going to inherit the throne in the future. Therefore, Macbeth wants to kill him in order to prove to the witches that not all of their prophecies will come true. However, while he manages to kill Banquo, his men fail at killing Fleance, who escapes to Scotland until his time to rule comes.
D. a set that has only a few props
Minimalism is when you retain only what is necessary. In terms of a set, this would involve using the least amount possible of props.
