Answer:
‘We told each other so much, so very very much, that I can’t repeat it all, but it was lovely, the most wonderful evening I have ever had in the "Secret Annex".’
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Answer:
“The Yellow Wallpaper” is driven by the narrator’s sense that the wallpaper is a text she must interpret, that it symbolizes something that affects her directly. Accordingly, the wallpaper develops its symbolism throughout the story. At first it seems merely unpleasant: it is ripped, soiled, and an “unclean yellow.” The worst part is the ostensibly formless pattern, which fascinates the narrator as she attempts to figure out how it is organized. After staring at the paper for hours, she sees a ghostly sub-pattern behind the main pattern, visible only in certain light. Eventually, the sub-pattern comes into focus as a desperate woman, constantly crawling and stooping, looking for an escape from behind the main pattern, which has come to resemble the bars of a cage. The narrator sees this cage as festooned with the heads of many women, all of whom were strangled as they tried to escape. Clearly, the wallpaper represents the structure of family, medicine, and tradition in which the narrator finds herself trapped. Wallpaper is domestic and humble, and Gilman skillfully uses this nightmarish, hideous paper as a symbol of the domestic life that traps so many women.
Explanation:
Answer:
b. "Why is this good or bad?"
Explanation:
When preparing speech for a question of value, the speaker should bear in mind that he will be addressing matters bordering on morality. This means that he will answer questions pertaining to how good or bad a matter is. To prepare for such a speech, the speaker should make an introduction of the information or appeal to be discussed.
He should provide facts and evidence that will support his chosen side. While doing this, he should also consider the perspective of his audience. Other kinds of speeches address question of facts and questions of policy.
Answer: B)
Reason: B is the only liquid out of the 4 and the rest are all solids.
A implicit cause it means with no qualification or question; absolute.
