The piece is called Masquerade, by Frida Kahlo. It is an example of an
autobiography.
Answer will vary but may include the following:
In the painting we see the vines closing in around her neck, a black
eagle, the darkness of the vegetation, and the animals on either side of
her in the background. All of these symbols represent a feeling pain
and difficult perhaps of the artist life in general, or of a certain
part of it. The look on her face is sorrowful and yet determined. Frida
Kahlo used her art to express the pain she experienced in her life as a
result of being an abused woman.
It’s really hot, don’t listen to it much tho.
Answer:
Scholars date the mosaic through digging the site for artifacts and through studying the art.
Explanation:
The Mosaic art for the first time began in Mesopotamia, which later followed in Ancient Greece and Rome. Mosaics were with patterns and pictures became widespread in classical times. Mosaic art began to flourish during the Byzantine Empire in the 6th century until the 15th century. Churches and Mosque decorated with colorful mosaic on wall, ceiling and floors. Scholars define this form of art by studying the theme of the subject and digging up artifacts across the site. Some of the ancient mosaics include The Beauty of Durrës, sites of Pompeii, Villa Romana del Casale, etc.
Answer:
a. sculpture that has an integral relationship with the particular site where it exists.
Explanation:
Site-specific art is a form of environmental art that is created in order to fit and be shown at a certain place. The artist evaluated the space and location, and they make the art that is specifically tied to it. <u>The place is likely part of the art piece and the work is best appreciated when observed in the context.</u>
Site-specific art can be in form of the dance or performance, but they are most often installations, murals, or sculptures.<u> The site-specific sculpture is, therefore, the sculptural element that is in some way integrated to the location where it is placed and is not supposed to be observed separately from where it is set by the artist.</u>
