<span>“Contemporary performance is hybrid work that integrates text, dance, objects, music, costumes, lighting, image, sound, sets, and vocal expression into complex interactive systems. Contemporary performance names a body of work that builds on an aesthetic history beginning in the 1880s with Alfred Jarry and early Dada experiments and unfolds through into the American avant-garde and Performance Art of the 1980s. Contemporary performance collages are often non-narrative, technically rigorous, and carefully orchestrated anarchic chaos. They unsettle perception, demand critical engagement from audiences, address conceptual debates within aesthetics, draw on a diverse range of cultural interests, and bring pleasure to populations across the globe.” - Morgan v. P. Pecelli at lostnotebook.com</span>
Answer:
A musician has signed a deal with a record label to create an entirely digital album using digitally created instruments and background vocals. The first tracks are not producing a realistic sound. The artist works with a multimedia artist to develop software that will create the appropriate sound and fulfill the musician’s contract.
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I would say behind a few trees to the left of her about 15 or 20 steps away.
The answer is Overproduction
