Answer and Explanation:
Identify the main claim/thesis of the entire Monster Culture (seven theses) by Cohen, Jeffrey Jerome.
Cohen's very first thesis says that "the monster's body is a cultural body." It leads to uncertainty, which can lead to different places. He further says that "monster inhabits the gap between the time of upheaval that created it and the moment to receive to be born again". In his first thesis, he explained that the monster's body has fear, fictional view, anxiety, uncertainty, and desires, which make them an individual being.
His second thesis is based on "The Monster Always Escapes." It means that the monster may getaway, but the way he damaged things remains the same. However, monster reemerges in a different form to let us know its importance socially and culturally.
The third thesis says that "The Monster is the Harbinger of Category Crisis," which describes a monster's nature. The monster escapes and tells us to explore the new things and demand radical thinking of limitation and boundary.
"The Monster Dwells of Difference at the gates" is his fourth thesis. The monster represented as an outsider who challenges standard culture, politics, and sexuality. They bobbed between being monstrous and a man.
The fifth thesis says that "The Monster Policies the Border of the Possible". Monster is ready to explore the unknown. He is against the taboos and diminished the limits. He threatens the boundaries.
The sixth thesis is "Fear of the Monster Is a Kind of Desire." Monsters are free to attract other people to make them tempted and asked them to question the boundaries and taboos.
Moreover, the seventh thesis, "The Monster Stands at the Threshold…of Becoming". This statement is a big question for the people who creates monsters. People and society misinterpretation urge them to ask Why?
