The Prophet Muhammad reminded the Muslim world, “We are a single community, distinct from others.” The distinction shapes the Muslim’s religious identity and underlines the nature of the Islamic ideal, whether the purity of the monotheistic concept, the uncompromising quest for morality, or the lifelong seeking of knowledge. It also accentuates the common historical thread running through the international Muslim community.
In Global, African, and Near Eastern studies, the role of the African Muslim may be the most overlooked by Western academia, and involve the most tenacious myths about the spread of Islam. The lack of African sources allowed scholars to make false assumptions as they evidenced the old axiom, “scholarship follows the national flag.” The dominance of Western scholarship resulted in complete silence about African creativity, innovation, exploration, trade, and skills in scholastic writings and textbooks.
In 1945, British historian Hugh Trevor Roper galvanized the Eurocentric view when he wrote, “the only history in Africa is the history of Europe in Africa.” Given the self-perpetuation of cultural exceptionalism, it is not surprising that African history remains mythologized under the shadows of Euro-American history. Yet, the dissemination of Islam in Africa by first Arabs and then African Muslims, and the role that Islam and Muslims have played in the development of Africa, are essential to a balanced and accurate understanding of African history.
The answer is (A) 1. Curvilinear lines; 2. Diagonal lines
Answer:
"I wish i had enough money for a elephant."
"What do you need an elephant for?"
" I dont, i just need the money"
Explanation:
I’d be angry if Leonardo da Vinci had been given credit for work that’s not his because it’s not fair to someone that worked really hard on it if he just steals it. However, I do not believe this because I understand that Leonardo da Vinci has potential and all his products were handcrafted by himself. Nothing should be done because it’s been proven his work is his.
Una sinfonía es un tipo de composición musical para la orquesta (aunque actualmente es común encontrar sinfonías para pocos instrumentos), dividida, generalmente, en cuatro movimientos, cada uno con un momento y estructura diferente. Son famosas las sinfonías de Haydn, Mozart y Beethoven en el período clásico. La forma de la sinfonía ha variado con el tiempo entre el período clásico, el romántico y el siglo XX, por ejemplo, las contemporáneas de Arthur Threisher son de tres movimientos.
