On Gardner's Art through the Ages: The Western Perspective, Volume 2, it was written that Picasso has a different perspective in understanding art. He believes that the masks are not ordinary but contains magic that becomes a medium between human and the forces of evil. In the book, it stated that he wanted to capture this power as he tried to express it on his paintings.
Picasso was inspired by primitive art as well as African and Iberian culture. During his time, art works look strange and unique and were based on the colonizer's findings on their conquered lands.
Does our culture consider cooks and carpenters to be as high in their status as lawyers or doctors (remember I'm not asking what we think, but what value our culture generally gives to those professions)? Our culture creates a distinction that we sometimes refer to as "blue collar" work versus "white collar" work.
In the Middle Ages and even for much of the Renaissance, the artist was seen as someone who worked with his hands—they were considered skilled laborers, craftsmen, or artisans. This was something that Renaissance artists fought fiercely against. They wanted, understandably, to be considered as thinkers and innovators. And during the Renaissance the status of the artist does change dramatically, but it would take centuries for successful artists to gain the extremely high status we grant to "art stars" today (for example, Pablo Picasso, Andy Warhol, Jeff Koons, or Damien Hirst).
Answer:
It can cause the image to be zoomed in to much, or cut out to much of the food, making the photo look awkward
Explanation:
the answer to your question is true
Answer:
the good mother
Explanation:
For the European artists of the 18th century, merely drawing a stunning picture wasn't enough. Yeah, one would wonder about your use of the colours, dimensions and how expertly you wrapped the cloth on your models, but that wasn't enough.
The Swiss-born artist Angelica Kauffmann contributes to this category simply by being one maker. Created in 1785, her topic is Cornelia, Mother of the Gracchi, Pointing Her Young kids as Her Jewels.
Roman architectural styles surround two depicted women who wear what one would assume is characteristic of old roman dressing along with several youngsters wearing expertly designed loincloths with thin leather slippers as well. We look like they may have come right off the portico of a shrine.
