The answer is C, I believe.
Answer:
Although “Hills Like White Elephants” is primarily a conversation between the American man and his girlfriend, neither of the speakers truly communicates with the other, highlighting the rift between the two. Both talk, but neither listens or understands the other’s point of view. Frustrated and placating, the American man will say almost anything to convince his girlfriend to have the operation, which, although never mentioned by name, is understood to be an abortion. He tells her he loves her, for example, and that everything between them will go back to the way it used to be. The girl, meanwhile, waffles indecisively, at one point conceding that she’ll have the abortion just to shut him up. When the man still persists, she finally begs him to “please, please, please, please, please, please” stop talking, realizing the futility of their conversation. In fact, the girl’s nickname, “Jig,” subtly indicates that the two characters merely dance around each other and the issue at hand without ever saying anything meaningful. The girl’s inability to speak Spanish with the bartender, moreover, not only illustrates her dependence on the American but also the difficulty she has expressing herself to others.
Answer: Present a poem with a natural, conversational rhythm.
Explanation:
Even though you didn't give us any excerpts, I can still try to help you.
I would say the correct answer is that <span>Grendel is described as an unfeeling creature in Beowulf, but he is a sensitive and emotional character in Grendel.
Based on the system of elimination, that should be the correct answer. B is incorrect because he is scary and monstrous, not comical and ridiculous; C is incorrect because Beowulf acts bravely and honorably in Beowulf, not the other way round; D is incorrect because there is no sympathy towards Grendel in Beowulf because he is a ruthless monster. So this leaves us with A as the correct answer.
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a literary technique, originally used in Greek tragedy, by which the full significance of a character's words or actions is clear to the audience or reader although unknown to the character.
