Answer:
I believe there are two answers that apply to this question:
A. She believes their relationship has reached a turning point.
C. She is getting tired of talking.
Explanation:
"Hills Like White Elephants" is a short story by author Ernest Hemingway. One of the characters, Jig, is constantly referred to as the girl. However, no mention is made to her age, so we cannot know if she thinks she is too young to be a mother. Jig herself never says that, so we can eliminate option B. We can also eliminate option D. Jig seems to have understood that the world is not the same anymore now that she got pregnant. She knows she can't keep on traveling around, looking at things and trying new drinks - as she describes her life -, but she does not say anything about settling down in Spain.
Throughout the story, we watch her conversation with "the man", her partner. He wants her to have an abortion. He tries to convince her that the procedure is quite simple and that, once it is done, their life will go back to what it used to be. He says that is the only thing that is bothering them, incapable of saying the word "baby" to refer to "that thing", as if he does not wish to have any attachment to it. Jig grows tired of his incessant babbling and begs him to stop talking (option C). She is skeptical about his words and promises, knowing very well that their relationship will never be the same again. They have reached a turning point (option A). He does not love her anymore, he does not see her the same way he used to, he does not find her words interesting. She can see his selfishness clearly now, how insignificant what she wants is to him.
The correct answer is Very young owls grow slowly.
Here, the adverb is <em>very </em>and the adjective is <em>young, </em>so the adverb is used to modify the adjective, or to show a particular degree of the adjective (how young? very young.).
In the rest of the options, there is only one adverb <em>slowly, </em>and it's not modifying an adjective, but rather the verb.
Answer:
The crystal merchant recognizes his own negativity and lack of motivation, but he appears willing to change his situation with the help of a stranger such as Santiago
Answer: B.
Explanation:
Seal has many definitions but none of them is a synonym of explores
A keepsake is more of an item than anything, a tradition is some ritual passed down, e.g. we celebrate Christmas on the 26th. A keepsake would be a specific tree ornament that has been in the family for years.
To haul denotes pulling something away from somewhere. To send denotes pushing something away from you.
A splashdown is in fact a type of landing, one made by spacecraft when returning to earth. Hope this helps!
“An Occurrence at Owl Creek Bridge” is divided into three sections. In section I, Peyton Farquhar is standing on a railroad bridge, twenty feet above the water. His wrists are bound behind his back, and around his neck is a noose that is tied to a beam overhead. He is positioned on loose planks that have been laid over the crossties of the train tracks to create a makeshift platform. Two soldiers from the Northern army, a sergeant, and a captain immediately surround him, awaiting the execution. Beyond them, armed sentinels stand at attention. The bridge is bordered on one side by forest and, across the stream, open ground that gives way to a small hillock on which a small fort has been erected. A motionless company of infantrymen, led by their lieutenant, stands assembled before the fort. As the two soldiers finalize the preparations, they step back and remove the individual planks on which they had been standing. The sergeant salutes the captain then positions himself on the opposite end of the board supporting Farquhar, as the captain, like the soldiers, steps off and away from the crossties.
Awaiting the captain’s signal, the sergeant is about to likewise step away, sending Farquhar to dangle from the bridge’s edge. Farquhar stares into the swirling water below. He watches a piece of driftwood being carried downstream and notes how sluggish the stream seems to be. He shuts his eyes to push away the distractions of his present situation and focus more intently on thoughts of his wife and children. He suddenly hears a sharp, metallic ringing, which sounds both distant and close by. The sound turns out to be the ticking of his watch. Opening his eyes and peering again into the water, Farquhar imagines freeing his hands, removing the noose, and plunging into the stream, swimming to freedom and his home, safely located outside enemy lines. These thoughts have barely registered in Farquhar’s mind when the captain nods to the sergeant and the sergeant steps away from the board.
In section II, we learn that Farquhar was a successful planter, ardently devoted to the Southern cause. Unable to join the Confederate army, he yearned to help the South’s war effort in some significant way. One evening in the past, Farquhar and his wife were sitting on the edge of their property when a gray-clad soldier rode up, seeking a drink of water. The soldier appeared to be from the Confederate army. While his wife was fetching the water, Farquhar asked for news of the front and was informed that Northern forces had repaired the railroads in anticipation of launching another advance, having already reached the Owl Creek bridge. Any civilian caught interfering with the North’s efforts in the area, the soldier went on to reveal, would be hanged. Farquhar asked how a civilian could attempt some form of sabotage. The soldier told him that one could easily set fire to the driftwood that had piled up near the bridge after the past winter’s flood. The man, who was actually a Northern scout in disguise, finished his drink and rode off, only to pass by an hour later heading in the opposite direction.
Section III brings us back to the present, at the hanging. Farquhar loses consciousness as he plummets down from the side of the bridge. He is awakened by currents of pain running through his body. A loud splash wakes him up even more abruptly, and he realizes that the noose has broken—sending him falling into the stream below. Farquhar sees a light flicker and fade before it strengthens and brightens as he rises, with some trepidation, to the surface. He is afraid he will be shot by Northern soldiers as soon as he is spotted in the water. Freeing his bound hands, then lifting the noose from his neck, he fights extreme pain to break through the surface and take a large gasp of air, which he exhales with a shriek. Farquhar looks back to see his executioners standing on the bridge, in silhouette against the sky. One of the sentinels fires his rifle at him twice. Farquhar can see the gray eye of the marksman through the gun’s sights.
Farquhar then hears the lieutenant instructing his men to fire, so he dives down to avoid the shots. He quickly removes a piece of metal that sticks in his neck. Farquhar comes back up for air as the soldiers reload, and the sentinels fire again from the bridge. Swimming with the current, Farquhar realizes that a barrage of gunfire is about to come his way. A cannonball lands two yards away, sending a sheet of spray crashing over him. The deflected shot goes smashing into the trees beyond. Farquhar believes they will next fire a spray of grapeshot from the cannon, instead of a single ball, and he will have to anticipate the firing. Suddenly he is spun into a disorienting whirl, then ejected from the river onto a gravelly bank out of sight and range of his would-be executioners and their gunfire.
