Answer:
17•15+(15+14)-11•16÷12= 269.3
(34+33)15-1+13-1+10= 1026
(1+4)÷20•17-31= -26.75
<span> A Structuralist would likely see a plant like image on a blank background, with leaves and some type of buds. On the buds, a mask or clown head appears to have bloomed. The head has human physical features, and looks like its face is painting white with a collar of some type around its neck. A Non-Structuralist would believe there was imagery and symbolism. The plant could represent life or living, and the people or lives that grow and then die, and the lives yet to come to the world. The clown or figures face may represent a person or group, perhaps one which is misunderstood or disliked, based on the look of sadness and despair visible in the face. There are many theories that could be said, however the main difference is that a Non-Structuralist would insist that there is symbolism and not just reality.</span>
Answer:
c. by diminishing the size of the trees in the background
Explanation:
The Tribute Money (1427) by Tommaso de Giovanni "Masaccio" (1401 -1428), is a fresco of the Brancacci Chapel in the Del Camine Church in Florence. The Renaissance work represents the episode in which Christ pays the Capernaum collector the due tribute to enter the city. Since the apostles had no money, Jesus commanded Peter to throw the hook into the water and to take the first fish caught in the mouth, the coin needed for payment. The episode develops in three distinct scenes: in the center, the collector talking to Jesus with his disciples: on the left, St. Peter fulfilling the order and on the right, giving the tribute to the collector. The artist's religious intentions are joined by the free and determined spirit of the new man advocated by the Renaissance.
Masaccio, also known as the “father of the Renaissance” had a career of just seven years, but still built the foundation for what would become one of the greatest artistic movements. His technique and development from a spatial perspective would become a standard and set parameters for the succeeding Renaissance painters. By breaking with Gothic traditions, returning to classicism and employing new techniques in perspective, Masaccio created a style that shaped the development of the Florentine Renaissance.
To achieve linear perspective, adding depth and three-dimensionality to the painting, one must draw a horizon line to connect the viewer's eye to a point escape line - such as where the sky meets the ground. Horizontal lines called orthogonal lines are then drawn over screen space or at work. The point where the orthogonal lines meet is called the vanishing point. One can compare this with train tracks in the distance. The use of the vanishing point not only allows the artist to produce three-dimensional objects, but also to control the viewer's eye and reinforce the theme, as can be seen in the The Tribute Money in the head of Jesus.
That's <span> the Ruin's of Gallego Flour Mills
</span><span> It records an event and exists as an allegory of the costs of the Civil War. Back then the Gallego flour mills were world renown and symbolize the economic strength of united states due to superior flour it produced. No-one ever thought that it would be destroyed by our own.</span>
