Answer:
Songs went from being performed by one person to many people.
Explanation:
<em>Songs went from being one part to multiple parts</em> – this is not the right answer. This is not what monophonic and polyphonic music means.
<u><em>Songs went from being performed by one person to many peopl</em></u><u>e – this is the right answer.</u> Monophonic songs are sung in one voice and it is only one melody. Polyphonic means there are more voices at the same time or that more melodies are going simultaneously. This Renaissance development to polyphonic changed music a lot compared to the Middle Ages.<u> Many of Renaissance songs were composed as polyphonic compositions for masses sang in Latin in churches.</u>
<em>Songs went from being classical in nature to more electronic </em>– this is not the right answer. This is not the meaning of monophonic and polyphonic, and also there was no electronic music in Renaissance.
<em>There is no difference between monophonic and polyphonic music</em> – this is not the correct answer. There is a difference between monophonic and polyphonic.
Answer: Yay!! Thank you! You deserve some too. Have a great day!
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Answer:
You have to love dancing to stick to it. It gives you nothing back, no manuscripts to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that single fleeting moment when you feel alive. It is not for unsteady souls."
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Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.
Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.[1] As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodies. Bebop groups used rhythm sections in a way that expanded their role. Whereas the key ensemble of the swing music era was the big band of up to fourteen pieces playing in an ensemble-based style, the classic bebop group was a small combo that consisted of saxophone (alto or tenor), trumpet, piano, guitar, double bass, and drums playing music in which the ensemble played a supportive role for soloists. Rather than play heavily arranged music, bebop musicians typically played the melody of a composition (called the "head") with the accompaniment of the rhythm section, followed by a section in which each of the performers improvised a solo, then returned to the melody at the end of the composition.
Some of the most influential bebop artists, who were typically composer-performers, are: alto sax player Charlie Parker; tenor sax players Dexter Gordon, Sonny Rollins, and James Moody; clarinet player Buddy DeFranco; trumpeters Fats Navarro, Clifford Brown, Miles Davis, and Dizzy Gillespie; pianists Bud Powell and Thelonious Monk; electric guitarist Charlie Christian; and drummers Kenny Clarke, Max Roach, and Art Blakey.
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