Answer:
Don't dump trash in the ocean.
Explanation:
Every year, tons of trash is polluted into the ocean. If we could figure out a safer way to dispose of this trash, we wouldn't have polluted oceans.
Answer:
A. the linear symmetry of an image, so that two halves are mirror images of each other.
Explanation:
Answer: It is describing the dreadful voyage of a group of enslaved Africans on a slave ship—more specifically the so-called middle passage voyage.
Explanation: Just to elaborate a little on the answer, it can be added that this is an excerpt from Olaudah Equiano's bestseller autobiography (1789). He was a former enslaved African who was eventually able to buy his freedom and become a seaman and a merchant. In this passage he is relating the horrors he experienced and witnessed during the so-called middle passage voyage across the Atlantic Ocean to the New World. He describes the unbereable voyage aboard an overcrowded ship, the unhealthy conditions, the diseases and the deaths, as well as the screams and the groans of those that, like him, were obliged to leave their homes and work as slaves.
Explanation:
Rhythm, in music, the placement of sounds in time. In its most general sense, rhythm (Greek rhythmos, derived from rhein, “to flow”) is an ordered alternation of contrasting elements. The notion of rhythm also occurs in other arts (e.g., poetry, painting, sculpture, and architecture) as well as in nature (e.g., biological rhythms).
Rhythm
QUICK FACTS
RELATED TOPICS
Music
Eurythmics
Metre
Rhythmic mode
Īqāʿāt
Isorhythm
Period
Aksak
Beat
Colotomic structure
Attempts to define rhythm in music have produced much disagreement, partly because rhythm has often been identified with one or more of its constituent, but not wholly separate, elements, such as accent, metre, and tempo. As in the closely related subjects of verse and metre, opinions differ widely, at least among poets and linguists, on the nature and movement of rhythm. Theories requiring “periodicity” as the sine qua non of rhythm are opposed by theories that include in it even nonrecurrent configurations of movement, as in prose or plainchant
