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El término barroco se refiere al período histórico que tuvo lugar entre 1600 y 1750 que siguió al Renacimiento, y al estilo artístico específico que se formó durante este período. El estilo barroco fue una nueva forma de expresión nacida en Roma, Italia, desde donde se extendió a casi toda Europa. Se caracterizó por un fuerte elemento dramático y emocional, mientras que se aplicó principalmente en arquitectura, escultura y música, pero también se encuentra en la literatura o la pintura.
El propósito del barroco era principalmente impresionar y elevar al hombre a través de sus pasiones y emociones. Contrariamente a los principios ideológicos del movimiento romántico, el hombre no es percibido como una unidad sino como parte de un todo. En el estilo barroco, de acuerdo con la corriente filosófica de la época, hay fuertes elementos de racionalismo, pero sin excluir el simbolismo.
El éxito del barroco se debe en gran parte al apoyo de la Iglesia Católica, que utilizó su estilo y estilo dramático para representar muchos de los temas religiosos que evocaban la implicación emocional del espectador. Además, la aristocracia de la época y el poder real favorecieron el imponente estilo barroco para la construcción de edificios o palacios similares que realzaran su prestigio. En países con un fuerte movimiento protestante, como Holanda o Inglaterra, el barroco no logró imponerse.
ANSWER: Africans associate this type of surface with: Cultivated refinement. The nature of African art grows from the theme of religious symbolism, functionalism, utilitarianism. African Art reflects images of ancestral spirits and pantheons of gods and goddess.
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Answer:
The ubiquitous Broadway poster is more than just eye candy for the busy New Yorker and tourist. These pretty pictures, which cover so much of the city, convey — or at least suggest — the experience a Broadway production holds for the potential audience member. What will you see, hear and (hopefully) feel once you plop down your hard-earned money for a seat in one of Broadway’s storied theatres? It’s a show’s calling card. It helps put people in seats. Upon first glance, a Broadway poster may seem deceptively simple — a picture or graphic with a title and some credits. But a lot of very creative people put a lot of thought and effort into creating what’s known in the industry as “key art.” It’s this key art gets that gets spun off into the countless versions you see online, in the subways, outside theatres and above Times Square. The final product, in all its forms, depends on the show and the audience its producers wish to attract.
For Once, the Off-Broadway transplant about an Irish musician and a Czech immigrant brought together by music, the challenge was to reinvent a personal story for a broader audience. As Darren Cox, Associate Creative Director at SpotCo, an advertising agency that handles many of the most successful Broadway shows, explained, Once “…was this little fantastic gem of a show downtown that just flowered into this huge success.” The original art, which SpotCo also developed, had a “…very personal, slice-of-life kind of aesthetic, which was very intimating and moved to being good for downtown, but we found out that other needs arose when the Broadway shows.” The bigger stage and the bigger potential audience required an updated look and feel to get noticed. The art needed to pack more of a punch. According to Cox, “there was a little bit of a fear that the intimacy of the show and the kind of quiet beauty of the show could be sort of swallowed up…” The solution was to hold on to certain artifacts from the original as inspiration and then dial everything up. They hired a photographer and shot the actors in real environments — in the theatre, on the street, at a bar. “And then we pulled back in some of the graphics and the logo treatment that had that downtown intimate feel, but then married it to the larger brand.” Looking at the original and updated art “…you can see there is sort of this relationship where they do feel they’re kinda like in the same voice but one has a much stronger, louder, much more splashy kind of voice.”
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so basically They observe how artists use different directions of lines to show emotions. They use watercolor paint to make different line directions – horizontal, vertical, diagonal, and curved – to show opposite emotions, like sad/happy, excited/bored and calm/worried.
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Answer: i’m not into pottery but after drying you fire the clay and a bisque firing would be firing without ceramic glaze
Explanation: just search it up
