“—a thoroughbred horse or hound is worth more than a score of them.”
The answers are: It does not allow listeners to interpret each character through his or her tone; and it does not allow listeners to review or reread what each character has said.
When hearing the characters voices out loud, and in the hypothetical case that it is a live audition and not a recording, one, as part of the audience, does not have, evidently, the possibility of reviewing or rereading what each character says. This may seem vane, but in reality, it can be very important when reading since sometimes the sense of what´s being read is so profound that, in order to capture in full, one needs to review a certain passage.
Also, hearing the characters has the disadvantage of making their voices concrete and specific according to whoever is speaking. This leaves out the possibility of filling the character´s voice with one´s own imagination, wit, and fantasy, which usually are very important characteristics of a fictional character (literature, in the end, is always a very subjective activity on the side of the reader).
Answer:
a critic of the Pythagoreans—the function of the Counter-Earth was to explain "eclipses of the moon and their frequency", which could not be explained by Earth blocking the light of the sun if the Earth did not revolve around the sun.
While on a class field trip to a cemetery, Gogol begins to comprehend the effects of his unique name on his sense of self. Unlike his peers, who can locate gravestones with their first names swiftly,
<h3>How did Gogol's viewpoint alter as a result of his school field trip?</h3>
Gogol graduates from college and pursues a graduate degree in architecture at Columbia University. He now lives in a cramped apartment and earns a dismal wage while working for a New York City architectural business. One night at a party, he meets fellow Columbia graduate Maxine Ratliff, who works for a publisher of art books. The following morning, Maxine calls him and says she discovered his number in the phone book.
Maxine and her parents Lydia and Gerald have far more affluent and "American" lifestyles than Gogol is accustomed to.
They differed from Gogol's own parents in terms of the size of their house, the quantity and caliber of wine supplied with dinner, and the conversation that took place at the table.
Eventually, once Gogol and Maxine begin dating, he spends so many nights with her that he ceases to appear to be a resident of his modest flat. The Ratliffs give him the house keys and tell him to treat the house as his own. He recognizes how their way of life is distinct from his own Bengali heritage, yet he can't help but feel out of place.
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