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Explain any six South African Human Rights that where designed, specifically to promote respect for diversity

Dvinal [7]

Answer:

human dignity

Everyone has inherent dignity and the right to have their dignity respected and protected.

Freedom and security of the person

1. Everyone has the right to freedom and security of the person, which includes the right

a. not to be deprived of freedom arbitrarily or without just cause;

b. not to be detained without trial;

c. to be free from all forms of violence from either public or private sources;

d. not to be tortured in any way; and

e. not to be treated or punished in a cruel, inhuman or degrading way.

2. Everyone has the right to bodily and psychological integrity, which includes the right

a. to make decisions concerning reproduction;

b. to security in and control over their body; and

c. not to be subjected to medical or scientific experiments without their informed consent.

Slavery, servitude and forced labour

No one may be subjected to slavery, servitude or forced labour.

Assembly, demonstration, picket and petition

Everyone has the right, peacefully and unarmed, to assemble, to demonstrate, to picket and to present petitions.

Political rights

1. Every citizen is free to make political choices, which includes the right

a. to form a political party;

b. to participate in the activities of, or recruit members for, a political party; and

c. to campaign for a political party or cause.

2. Every citizen has the right to free, fair and regular elections for any legislative body established in terms of the Constitution.

3. Every adult citizen has the right

a. to vote in elections for any legislative body established in terms of the Constitution, and to do so in secret; and

b. to stand for public office and, if elected, to hold office.

Property

1. No one may be deprived of property except in terms of law of general application, and no law may permit arbitrary deprivation of property.

2. Property may be expropriated only in terms of law of general application

a. for a public purpose or in the public interest; and

b. subject to compensation, the amount of which and the time and manner of payment of which have either been agreed to by those affected or decided or approved by a court.

3. The amount of the compensation and the time and manner of payment must be just and equitable, reflecting an equitable balance between the public interest and the interests of those affected, having regard to all relevant circumstances, including

a. the current use of the property;

b. the history of the acquisition and use of the property;

c. the market value of the property;

d. the extent of direct state investment and subsidy in the acquisition and beneficial capital improvement of the property; and

e. the purpose of the expropriation.

4. For the purposes of this section

a. the public interest includes the nation's commitment to land reform, and to reforms to bring about equitable access to all South Africa's natural resources; and

b. property is not limited to land.

5. The state must take reasonable legislative and other measures, within its available resources, to foster conditions which enable citizens to gain access to land on an equitable basis.

6. A person or community whose tenure of land is legally insecure as a result of past racially discriminatory laws or practices is entitled, to the extent provided by an Act of Parliament, either to tenure which is legally secure or to comparable redress.

7. A person or community dispossessed of property after 19 June 1913 as a result of past racially discriminatory laws or practices is entitled, to the extent provided by an Act of Parliament, either to restitution of that property or to equitable redress.

8. No provision of this section may impede the state from taking legislative and other measures to achieve land, water and related reform, in order to redress the results of past racial discrimination, provided that any departure from the provisions of this section is in accordance with the provisions of section 36(1).

9. Parliament must enact the legislation referred to in subsection (6).

8 0

2 years ago

How can a story's setting influence the plot?

grigory [225]

Answer:

The setting influences the plot, which includes the story's events. Certain actions are more likely to take place in specific environments. Also, the story's tone and theme rely on its setting. In addition, the setting shapes the characters.

Explanation:

4 0

2 years ago

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I love all the flavors of ice cream!” he shouted as he jumped up and down waiting for the ice cream truck to come. *

Oxana [17]

Answer:

B

Explanation:

He isn't saying "I shouted" and we don't know if we can hear the persons thoughts, so it's third person

3 0

3 years ago

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Which is a central idea of gates mister jefferson and the trials of phillis wheatley

patriot [66]

This essay is an expanded version of the lecture Henry Louis Gates, Jr., presented at the Library of Congress in March, 2002, as one of a series of the prestigious Jefferson Lectures in the Humanities. In his analysis of the controversy surrounding Phillis Wheatley’s poetry, Gates demonstrates that theoretical issues debated in the academy are indeed relevant to the everyday lives of Americans. Gates, chairman of the Department of African and African American Studies at Harvard University, is a prominent intellectual. In his preface he states that the National Endowment for the Humanities, in honoring him by inviting him to lecture, acknowledges the importance of African American studies in the intellectual life of the United States.

His extended argument is crafted to explain how Thomas Jefferson and Wheatley were instrumental in founding the tradition of African American literature. An exchange of letters between a French diplomat and Jefferson debated the question of the intellectual potential of African slaves. The controversy continued throughout the first half of the nineteenth century and was a central issue in the abolitionist movement.

Gates has demonstrated throughout a prolific publishing career his mastery of a variety of literary genres, from personal memoir to academic critical theory. In this essay he writes for a general audience, presenting his argument in forceful, eloquent prose. He tells a compelling story, with frequent witty references to topical issues. Although securely grounded in his identity as an African American, Gates argues that the reading and interpretation of literature must be free of racial bias. Despite the explosive growth in the past thirty years of publication of creative works and literary criticism in African American studies, many readers will not be familiar with Wheatley’s life and work, so Gates provides the necessary biographical and historical background.

On October 8, 1772, Phillis Wheatley was called before a committee of eighteen prominent Bostonians who had gathered to judge whether the celebrated young poet was an imposter. The larger issue at stake was one widely debated in eighteenth century America and Europe: Did Africans have the intellectual capacity to create literature? At the heart of this question was the contemporary belief that Africans were a subspecies, existing somewhere between the apes and civilized humans. The confrontation between Wheatley and her interrogators was important. If she, an African, could create original literature, she must be recognized as fully human. Slavery, justified at that time by assuming the racial inferiority of Africans, would therefore be morally indefensible.

Wheatley had arrived in Boston on a sailing ship from West Africa in 1761. She was estimated to be seven or eight years old at the time because she had lost her front baby teeth. Although her birthplace was unknown, Gates speculates that she spoke Wolof, a West African language. She was purchased as a house slave by John Wheatley, a successful merchant, for his wife Susanna, who named the child Phillis after the ship that had brought her to America.

The Wheatleys’ daughter Mary taught Phillis to read and write both English and Latin. She was, without question, an immensely gifted child. In 1767 she began publishing her poetry in periodicals and broadsheets, poems printed on a single piece of paper and sold on the street. The public in both England and America gave her poetry an enthusiastic reception. She wrote primarily elegies and panegyrics, or praises for current events and well-known people. Her predominant form was the heroic couplet, pairs of rhymed lines in iambic pentameter, in the style of English poet Alexander Pope.

Placing Wheatley in the context of eighteenth century racial beliefs, Gates draws on the complex theories of such philosophers as Francis Bacon, Immanuel Kant, and David Hume to frame the public debate on the question of the humanity of Africans. He quotes extensively from contemporary texts to illustrate popular beliefs, many of which would appall twenty-first century readers.

In the light of this controversy, Wheatley was a disturbing... (this is a para. offline) not stealing just showing/helping you

4 0

3 years ago

Free poins i am bord <br> dose anybody else not like Christmas ???!??!??!

qaws [65]

Answer:

thanks free points

Explanation:

7 0

2 years ago

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