Answer:
He shows there is no such thing as normal and it is true that people can adapt to any situation they are thrown in. I think the best example he uses tobest illustrate this is the Torre David.
Explanation:
The 3,000 residents took this concrete building and made it a home. There are no walls, no heat or a/c, no elevator, etc. The people made the best of what they had and made it a home. They put in a grocery, a church, walls whether it were sheets or bricks, and used all of the 45 stories.
The following sections in the concerto form of the first movement.
solo introduction, orchestral introduction, cadenza, and conclusion
<h3>What is the name of a person's solo art exhibition?</h3>
Having solo exhibitions of one's work denotes success and is typically followed by receptions and a lot of press. The exhibition may feature recent works in production, those from a certain time period, or representative works from various stages of the artist's career; the latter is known as a retrospective.
<h3>What is the typical key that the exposition begins in?</h3>
In most cases, the exposition establishes the tonic key of the music before modulating to the dominant and concluding there. Usually, if the exposition begins in a minor key, it will modulate to the adjacent major key or, less frequently.
To learn more about Recapitulation here:
brainly.com/question/29480937
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Answer:
Kinetic Art, an assemblage made up of parts designed to be set in motion by an internal mechanism or an external force. Credits to Quizlet
Explanation:
The correct answer is <u>Cappella</u>
choral music music sung by a choir with two or more voices assigned to each part of the melody. The name of the musical form refers to vocal music “in the style of the chapel” without instrumental accompaniment. A cappella music was only rarely performed with instruments that duplicated the vocal line.
Hope this helps! :)
Answer:
Explanation:
Leonardo’s fascination with anatomical studies reveals a prevailing artistic interest of the time. In his own treatise Della pittura (1435; “On Painting”), theorist Leon Battista Alberti urged painters to construct the human figure as it exists in nature, supported by the skeleton and musculature, and only then clothed in skin. Although the date of Leonardo’s initial involvement with anatomical study is not known, it is sound to speculate that his anatomical interest was sparked during his apprenticeship in Verrocchio’s workshop, either in response to his master’s interest or to that of Verrocchio’s neighbor Pollaiuolo, who was renowned for his fascination with the workings of the human body. It cannot be determined exactly when Leonardo began to perform dissections, but it might have been several years after he first moved to Milan, at the time a centre of medical investigation. His study of anatomy, originally pursued for his training as an artist, had grown by the 1490s into an independent area of research. As his sharp eye uncovered the structure of the human body, Leonardo became fascinated by the figura istrumentale dell’ omo (“man’s instrumental figure”), and he sought to comprehend its physical working as a creation of nature. Over the following two decades, he did practical work in anatomy on the dissection table in Milan, then at hospitals in Florence and Rome, and in Pavia, where he collaborated with the physician-anatomist Marcantonio della Torre. By his own count Leonardo dissected 30 corpses in his lifetime.
