Answer:
Características del monólogo - También conocido como monólogo dramático, esta forma comparte muchas características con un monólogo teatral: una audiencia está implícita; no hay diálogo; y el poeta adopta la voz de un personaje, una identidad ficticia o una persona.
Answer:
Go to lots of different parts of the museum, take notes on all of the different pieces of art, share your experience with your friends, take pictures (if you're allowed of course!), think about the pieces of art's meanings. Whenever you look at the art, don't compare any of them! Understand that they are all unique and beautiful.
These represent the number of pieces of plastic put in the ocean every hour. Jordan's piece is meant to make viewers think about their plastic consumption, and how this affects the world at large. By showing how much plastic enters the ocean (merely per hour), this ecological problem becomes tangible and personal, and hopefully effects change.
Answer:
how thin or thick the line is
Explanation:
Line quality is also called line weight and simply put, refers to the thickness or thinness of the line. Lines may become wider or thicker in areas where the object itself is thicker. Or lines may become thicker to help indicate a light source. Lines in areas of shadow may be thicker.
Answer:
A new vanguard emerged in the early 1940s, primarily in New York, where a small group of loosely affiliated artists created a stylistically diverse body of work that introduced radical new directions in art—and shifted the art world’s focus. Never a formal association, the artists known as “Abstract Expressionists” or “The New York School” did, however, share some common assumptions. Among others, artists such as Jackson Pollock (1912–1956), Willem de Kooning (1904–1997), Franz Kline (1910–1962), Lee Krasner (1908–1984), Robert Motherwell (1915–1991), William Baziotes (1912–1963), Mark Rothko (1903–1970), Barnett Newman (1905–1970), Adolph Gottlieb (1903–1974), Richard Pousette-Dart (1916–1992), and Clyfford Still (1904–1980) advanced audacious formal inventions in a search for significant content. Breaking away from accepted conventions in both technique and subject matter, the artists made monumentally scaled works that stood as reflections of their individual psyches—and in doing so, attempted to tap into universal inner sources. These artists valued spontaneity and improvisation, and they accorded the highest importance to process. Their work resists stylistic categorization, but it can be clustered around two basic inclinations: an emphasis on dynamic, energetic gesture, in contrast to a reflective, cerebral focus on more open fields of color. In either case, the imagery was primarily abstract. Even when depicting images based on visual realities, the Abstract Expressionists favored a highly abstracted mode.
Context
Abstract Expressionism developed in the context of diverse, overlapping sources and inspirations. Many of the young artists had made their start in the 1930s. The Great Depression yielded two popular art movements, Regionalism and Social Realism, neither of which satisfied this group of artists’ desire to find a content rich with meaning and redolent of social responsibility, yet free of provincialism and explicit politics. The Great Depression also spurred the development of government relief programs, including the Works Progress Administration (WPA), a jobs program for unemployed Americans in which many of the group participated, and which allowed so many artists to establish a career path.
Explanation:
