Thoreau, an important Transcendentalist, believes that people need to live an honest life. This can be applied to McCandless because he lived a few years of his life with nearly nothing. He disposed of all of his possessions because he simply thought they were unimportant in life.
I hope this helps you.
The word is pronounced as
AHK SEL ER AY TED
Answer:
Mark is a forward who is the best basketball player in the class.
Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>
Answer:
The answers:
He talked down to Christoffels.
He ridiculed and called Christoffels names.
Explanation:
This is in relation to a story in the book "The Hiding Place" authored by Corrie Ten Boom. This story is a biography on Boom's life during the war in Holland.
Otto was a young German who was also a Nazist. He was as an apprentice to Boom's father, who is a watchmaker. When Otto becomes an apprentice under Boom's Father, the family realized the effect of Nazism as Otto proudly often states that he was in the Hitler Youth, and excuses himself during daily scripture reading saying the father is reading the old testament, a "book of Jews" and consists of lies.
At a point in the story, Otto started abusing Christoffel, an old man who also works at the watch shop. Christoffel was always subjected to Otto's violence such that he is being talked down to and ridiculed by him. Sometimes, Otto also trip and hit Christoffel alongside shoving him into a wall. These were some of the ways Otto persecuted and abused Christoffels.
