<span> </span>Eumaeus<span>. Though </span>Athena<span> has </span>disguised<span> Odysseus as a beggar, </span>Eumaeus<span> warmly receives and nourishes him in the hut.</span>
Good morning one and all present here ,
Tolerance is the advantage of a cultured age. It helps us to put up with those who have diverse traditions and thoughts, distinct philosophies and point of views.
Our ability to tolerate the opinion or behavior other people is the key for living a peaceful life. If we practice patience in our every actions and deed, speech and behavior, it will lead to peace. Otherwise, it would be an atmosphere of disagreement and confusion. In ancient days we had intolerance everywhere. Intolerance means refusal to be just and fair because of being narrow-minded and blind selfishness. It is the result of inflexibility, a certainty that there is only one belief that is right. Without broadmindedness, people waste their energy on pointless arguments.
Man is a social being and has to live in a spirit of harmony and cooperation with others. In this process some amount of giving and take is necessary. So with all these examples, it is crystal clear that tolerance is at the root of the peaceful solution of problems of all kinds. Hence, we have to cultivate the habits of understanding.
How to Promote Peace and Tolerance?
How can one promote peace and tolerance? The first reasonable thing that would probably come to mind is by adopting rules, regulations, laws, and declarations. Just take an example, the General Conference of UNESCO adopted the Declaration of Principles on Tolerance on 16 November 1995.
It must have marked a new chapter in the long evolution of the idea of peace and tolerance, successfully getting it across to every single living being or did it? What if we take a look at it and any other such document from a different perspective, zooming in on just two tiny pieces of the full diversity? Not at the state level but the very grassroots through the eyes of two ordinary representatives of humankind?
Innovative project
Promoting understanding and peace is innovative. We have to remind people why life is beautiful, why they should work together, and why we must help each other. Because it’s not about race, or language, or color, or religion, or who is right and who is wrong, it’s about bringing together our world, healing each other, and embracing diversity, also teaching not to fear but to love, and this in return will give us a new peaceful world.
Acceptance and understanding are the answers to create peace, and this key is the way to implement the values of tolerance, through various means. For instance:
Education: As the great Nelson Mandela said and I quote “Education is the most powerful weapon which you can use to change the world.” With an educational system, we can inspire the future generation to live in peace, and they may pass on this idea to their children. Especially in primary school, if children are taught about this continually, there is more chance that the lesson will stick to their minds, and maybe inspire them to do more for their communities and spread peace in the process.
Law: Laws should be fair to everyone, for white, black, Muslim, Christian. Because the law is above all of us, and the justice must consist of all the judgment, and look at people in equal.
Media: Nowadays, media is so powerful, because of it the world becomes a small village, and through it (TV show, news, programs) it will be easier to spread the idea of tolerance and peace and to sow as fast as possible these values in viewer’s hearts.
Thank you
Can I have Branliest for the Correct Answer?
Very often things like flashbacks, flash forwards, non-linear narratives, multiple plots and ensemble casts are regarded as optional gimmicks stuck into the conventional three act structure. They're not. Each of the six types I've isolated and their subcategories provides a different take on the same story material. Suddenly, one idea for a film can give you a multitude of story choices. What do I mean?
More than six ways to turn your idea into a film. Let's imagine that you've read a newspaper article about soldiers contracting a respiratory disease from handling a certain kind of weaponry. You want to write a film about it. Conventional wisdom says create one storyline with one protagonist (a soldier who gets the disease) and follow that protagonist through a three act linear journey. There's no question that you could make a fine film out of that. But there are several other ways to make a story out of the idea, and several different messages that you could transmit - by using one of the parallel narrative forms.
<span>Would you like to create a script about a group of soldiers from the same unit who contract the disease together during one incident, with their relationships disintegrating or improving as they get sicker, dealing with the group dynamic and unfinished emotional business? That would be a shared team 'adventure', which is a kind of group story, so you would be using what I call </span>Multiple Protagonist<span> form (the form seen in films like Saving Private Ryan or The Full Monty or Little Miss Sunshine, where a group goes on a quest together and we follow the group's adventure, the adventure of each soldier, and the emotional interaction of each soldier with the others). </span>
Alternatively, would you prefer your soldiers not to know each other, instead, to be in different units, or even different parts of the world, with the action following each soldier into a separate story that shows a different version of the same theme, with all of the stories running in parallel in the same time frame and making a socio-political comment about war and cannon fodder? If so, you need what I call tandem narrative,<span> the form of films like Nashville or Traffic. </span>
Alternatively, if you want to tell a series of stories (each about a different soldier) consecutively, one after the other, linking the stories by plot or theme (or both) at the end, you'll need what, in my book Screenwriting Updated I called 'Sequential Narrative', but now, to avoid confusion with an approach to conventional three act structure script of the same name, I term Consecutive Stories<span> form, either in its fractured state (as in Pulp Fiction or Atonement), or in linear form (as in The Circle). </span>