The study of Japanese art has frequently been complicated by the definitions and expectations established in the late 19th and early 20th centuries, when Japan was opened to the West. The occasion of dramatically increased interaction with other cultures<span> seemed to require a convenient summary of Japanese </span>aesthetic<span> principles, and Japanese art historians and archaeologists began to construct </span>methodologies<span> to categorize and assess a vast body of material ranging from Neolithic pottery to wood-block prints. Formulated in part from contemporary scholarly </span>assessments<span> and in part from the syntheses of enthusiastic generalists, these theories on the characteristics of Japanese </span>culture<span> and, more</span>
Answer:
Option D is the most correct answer.
Explanation:
Art is created for its own sake as an expression of the artist many times with the intention to pass a message across to the audience.
Sometimes the message is a concept, a paradigm, a thought or even a world view.
Cheers!
Answer:
Compared to its cousins, the vibraphone is a little bit more complex: not only do you play it with 4 mallets (just like the marimba btw) but it also has pedals, a bit like a piano. Finally, the biggest difference between the vibraphone and other mallet percussion stands in its very name: the vibrato effect.Compared to its cousins, the vibraphone is a little bit more complex: not only do you play it with 4 mallets (just like the marimba btw) but it also has pedals, a bit like a piano. Finally, the biggest difference between the vibraphone and other mallet percussion stands in its very name: the vibrato effect.Compared to its cousins, the vibraphone is a little bit more complex: not only do you play it with 4 mallets (just like the marimba btw) but it also has pedals, a bit like a piano. Finally, the biggest difference between the vibraphone and other mallet percussion stands in its very name: the vibrato effect.
Explanation:
The artist you are trying to describe is Bo Diddley.
