Answer:
b) circular
Explanation:
In a circular narrative, the story ends where it began. Although the starting and ending points are the same, the character(s) undergo a transformation, affected by the story's events
Answer:
During the Renaissance, the music had less theological themes than Medieval music, and the Renaissance was more polyphonic than the Medieval Era, which was mostly monophonic.
The printing press allowed chorales to be published, increasing their popularity. It also allowed for written music to be easier to read/access and more easily distributed.
Music in the Renaissance became more complex and less religious, which would be mirrored by the Enlightenment more than a century later.
Music was an essential part of civic, religious, and courtly life in the Renaissance. While the music was becoming less religious, the most important music of the early Renaissance was composed for use by the church, with polyphonic masses and motets in Latin for important churches and court chapels.
Composers, similar to remixes today, were able to use previously heard melodies, scales, and ostonados in order to create certain emotions in the listener by association. Reusing riffs made composing easier, as one didn't have to spend countless hours trying out different patterns, and could instead copy a melody completely, or shift it into a different key.
Seeds
its a particle distance
the distance
and medium through which it travels
The twelve symphonies written for the concert manager j. p. salomon for performance at his public concerts are also known as the london symphonies, for the city in which they were first.
Haydn's Symphony No. 94 (The Surprise Symphony) was one of Haydn's twelve London symphonies. There are numerous musical jokes and surprises sprinkled throughout the work but the most famous surprise appears in the second movement.
The second movement opens with a quiet violin section, with eight bars played piano (quiet) followed by eight more bars played pianissimo (very quiet). Suddenly, at the end of the 16 bars, the rest of the orchestra joins in for one single G-major chord played fortissimo (very loud). This surprise only occurs once in the piece and is not repeated.
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