Answer:
Doggedness is an inspiring, true story of the author's determination to matter and triumph over adversity. The daughter of a violent father and neglectful mother, she is paralyzed after receiving Salk's polio vaccine. At the age of eleven, shunned in hospitals, she recognizes a calling to become a nurse to show that compassion helps people feel better. Elements of compassion, both loving and kindness, are instilled in her by her beloved family dog Pepper and Polish grandfather Dziadzia. Endowed with gifted intelligence, encouraged by teachers, and strengthened by swimming, she earns a Ph.D. in Nursing and post-doctoral certificates in family therapy. As a nurse, a tenured professor of nursing, and a family therapist, she copes with post-traumatic, post-polio, and dissociative symptoms. For healing, and assurance that her young child is not the recipient of her legacy, she engages in family of origin work with the renowned family theorist and therapist, Murray Bowen. Detailed and penetrating, they get to the heart of complex feelings and complicated family dynamics, which are revealed in this book.....
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Answer:
He roughs up Scout by yanking her hair and pushing her
Explanation:
I'm pretty sure that the oral performance of poetry consists of <span>A. accuracy, expression, interpretation. Oral performance requires the development of your fluency and confidence. These elements will help you to achieve fluent and confident reading.</span>
The answers are: It does not allow listeners to interpret each character through his or her tone; and it does not allow listeners to review or reread what each character has said.
When hearing the characters voices out loud, and in the hypothetical case that it is a live audition and not a recording, one, as part of the audience, does not have, evidently, the possibility of reviewing or rereading what each character says. This may seem vane, but in reality, it can be very important when reading since sometimes the sense of what´s being read is so profound that, in order to capture in full, one needs to review a certain passage.
Also, hearing the characters has the disadvantage of making their voices concrete and specific according to whoever is speaking. This leaves out the possibility of filling the character´s voice with one´s own imagination, wit, and fantasy, which usually are very important characteristics of a fictional character (literature, in the end, is always a very subjective activity on the side of the reader).
A, the author shouldn’t state a source/Author in the introduction paragraph
