Answer:
The characterization of Fortunato speaks a lot about his personality. He is a drunkard and loves to wear jester-clothes. This characterization has its affects as because of his drunkardness, Montresor was able to lure him.
Explanation:
'The Cask of Amontillado' is a short Gothic story written by Edgar Allan Poe.
Fortunato is another main character in the story and the character on whom Montressor avenge himself. He's been described by Montressor in the story.
He is a 'wine-expert' which characterizes him as a drunkard. It was due to his addiction towards wine because of which he was caught in Montressor'ss trap for his own death. Montressor, cleverly, approaches Fortunato to help him to tasting of a rare wine which Montressor was able to get through a pipe.
Another characterization of Fortunato was his sense of dressing, he loves wearing jester-clothes.. When Montressor met him at carnival he was wearing a motley jester. His sense of wearing reveals that he is a 'funny fellow.' Even at the beginning of the story, Montressor states that Fortunato has <em>'inflcted him with thousand injuries.'</em>
These characterization of Fortunato helps the plot of the story reach it's conclusion, death of Fortunato. If he would not have been addicted to wine, Montressor would not have been able to lure him into his death trap. If he would not have been insensitive, he would not have 'caused Montressor thousand injuries which led Montressor to avenge on him.
Explanation:
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Answer:
Explanation:
A major feature of dialogue is that it moves the story forward in a more straight-forward way than a narrator’s explanation would. In the example, Ford and Arthur have barely escaped the demolition of the Earth, and the conversation they hold puts us into the scene and pushes the plot to the next episode. Moreover, the attitude of Ford, who doesn’t look directly at Arthur but suddenly changes the tone of his voice and stands up with a start, makes us have a feeling that something else is going on or is about to happen.
Characters can also evolve through dialogue. In fact, in every good dialogue, at least one of the characters should undergo a change of mood. In the example, Arthur is at first intrigued, questioning Ford about his past. He then suddenly remembers what happened a few minutes ago and returns to a state of shock, moving toward panic. The remembrance makes him angry, and he finally admits that he’s panicking. By the end of the conversation, Arthur is somehow resigned. As you can see, the character goes through a lot of different moods which would lose their effect if they were described by a narrator.
Dialogue increases the story’s pace and makes it more dynamic. It will always be harder to read a whole paragraph where the narrator explains step by step the same things a dialogue can transmit in a few lines. It is clear that the sample dialogue would be very different if a narrator had to explain how Ford recalls the guy with whom he came to the Earth fifteen years ago and how a scared Arthur realizes his planet has just disappeared.
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