I agree with N. Scott Momaday’s argument. The first perception of the American environment and its perpetuation in language starts in the oral tradition of Native American people. The beliefs, behaviour, culture are wrapped in these oral traditions which later would be transcribed into early American literature.
<span>The plot structure that allows authors to 'come late' to their own story is in medias res. It is a Latin term which basically means 'into the middle of things.' Sometimes authors don't want to bother giving their characters a backstory, but rather begin the novel in the middle. An example would be Gaiman's 'American Gods,' because we don't see each of the gods' history in the beginning.</span>
1. exposition
2. rising action
3. climax
4. falling action
5. resolution and denouement
The exposition contains all of the necessary background information that is needed to understand the story. This information can include the characters, setting, etc.. The dramatic situation is usually placed here-- the conflict underwhich the charactars are motivated and their obstacles they have to overcome.
The rising action is what happens before the climax. The rising contains complications--anything that changes the motivation or obstacles of the characters: another bad guy is introduced, the hero is cast adrift to deal with new problems, etc.
The climax is considered the highest point of interest of the story. This is where all the action of the story reaches a peak. It is usually the moment of greatest tension. The crisis can be considered the complication right before the climax, or can also be used as another name for climax.
Falling Action
The falling action deals with events which occur right after the climax. These events are usually the after-effects of the climax.
Resolution/Denouement
This is the end of the falling action and the conclusion to the story. Denouement comes from the French word, denoer, which meant "to untie". The denouement is the "unraveling or untying" of the plot.
