Answer: The events in Act I suggest that the ghost of Hamlet's father is real.
Explanation:
In the play, Hamlet encounters a ghost of his father, who tells him that his father has been murdered by his uncle, Claudius, who is now the new king and who has married Hamlet's mother. Hamlet also finds out that his mother was adulterous even before her husband's death.
The theory behind the ghost of Hamlet's father is open to different interpretation even today. It would, probably, make more sense to argue that the ghost is not a product of Hamlet's imagination. Although some of the critics claim that Hamlet has gone crazy due to the extreme sadness upon his father's death, and that the ghost is his hallucination, there is no hard evidence for this theory. Horatio, Marcellus, and Bernardo are actually the first characters to see the ghost (in <em>Act I, Scene I</em>), even before Hamlet does. It is not until <em>Act I, scene IV</em>, that Hamlet sees the ghost. As the witnesses discuss the appearance of the ghost among themselves, it implies that it is not a figment of Hamlet's imagination.
D because it has all the proper verb tenses; are
Answer:
None of these options you have provided are correct.
Explanation:
Answer:
No, none that I am aware of. In Shakespeare’s time, a tragedy meant that the main character falls from fortune to disaster, normally because of a flaw or fate. Obviously, other characters may be unharmed, or may even benefit from the protagonist’s downfall. I’m not writing to make fun of other posters, but we could as easily call the Matrix a tragedy because Agent Smith loses, or say that Titanic has a happy ending for coffin salesmen. Yes, Macduff or Fortinbras do well at the end of their plays, but they are not the protagonists.
For that reason, because a pre-modern tragedy definitionally means that the hero falls, and that’s what happens in Shakespeare’s plays, I’d say no. There are “problem” plays such as the Merchant of Venice, where the opposite happens—a comedy has a partly sad ending, with Shylock’s defeat—but again, it’s all in what the protagonist does, and Antonio (the merchant) wins at its close when his ships return
Answer:
huh?
Explanation:
we need to see the choices bruh I guess