1) Italian Futurists were fascinated with politics.
2) Boccioni was interested not in construction of the body but construction of the action of the body.
3) The work of the Futurists was a manifestation of authoritarian politics.
4) Marinetti, the founder of Futurism, hated the past.
5) One of their major themes was movement and speed.
6) White on White was the pinnacle of the suprematist movement.7) Kasimir Malevich’s famous 1915 painting of a square was the color black. Black Square is considered to be the iconic work of Kasimir Malevich.
8) Malevich believed his colored shapes could convey the awe of religious experience.
9) Malevich said that the War was not important in art. Even though the suprematist movement as introduced during the First World War, Makevich thought that war affects people in bad ways while art can affect people only in good ways.
10) Malevich believed that the only thing that mattered was object feeling.
Answer:
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Answer:
French Classicism
Explanation:
When baroque aesthetics prevailed in Europe, a peculiar classicism was reborn in France, whose moment of splendor from 1654 to 1715 occurred in the reign of Louis XIV. The painter Charles Le Brun and the writer Nicolas Boileau, author of L'art poetique (1674), a very influential work, officially imposed this style.
In the reign of Louis XIV, the desire to glorify royalty - proper to monarchical absolutism - gave way to a majestic and imposing style. Its architectural paradigm was the palace of Versailles, reformed and enlarged successively by architects like Louis Le Vau and Jules Hardouin-Mansart.
In 1667, the construction of the Louvre façade began with the architect Claude Perrault, “La Colonnada” (1664 - 1668). The pure French classicism that will mark the entire period of regency of this king.
The correct answer is A) Mosaics.
The architectural form of Islamic art that was replaced in Romanesque art because of the cost of production was mosaics.
Mosaics were a characteristic of Islam art. These small pieces of decoration are marvelous and decorated most of the Muslim buildings and public places. These mosaics had geometric figures that formed incredible shapes as part of the total composition.
In the times of the Byzantine Eastern Roman Empire, Islam art was part of the decoration of religious buildings, as well as in the Arabic Peninsula or Syria. However, mosaic art was very costly and had to be modified in Romanesque art because of the cost of production.
