Answer:
The Pedestrians are free to come and go and choose the way and time they want to walk. On the other hand, the people inside their houses are considered to be in a graveyard, are compared to the dead, with no life, activity or freedom. Specific textual evidence:
What Leonard Mead loves most in the world is taking solitary evening walks through the city. At intersections, he peers in all directions, choosing which way to go...on these nights, he´ll walk for hours, passing darkened houses, whish is like "walking through a graveyard"...all he sees inside are flickers of light, "gray phantoms" or murmurs from open windows of "tomb like" buildings.
Explanation:
The only character that really enjoys freedom is Leonard Mead; he is free to come and go at any time or to any place he wishes. The others are confined in their homes with no freedom at all, like the dead in their tombs, with no life, no movement, no freedom.
I think it’s C ,
A sound combination of work, play and rest makes a man healthy
In Greek mythology, Midas is a king obsessed with wealth. He asks the gods for the ability to turn anything he touches to gold. The gods grant his wish, and Midas soon realizes this gift is actually a curse. Chesterton uses the story of Midas as an analogy for chasing materialistic success. Much as the authors worship material wealth and pursue it as if it were attainable, Midas learns that his new ability doesn’t help him succeed because it prevents him from performing necessary tasks such as eating. Chesterton reminds readers of the obvious moral of Midas's story and shows that authors who write about success often misinterpret Midas's story—sometimes by using phrases such as "the Midas touch" in a positive light.
Chesterton emphasizes that King Midas is an example of foolishness and failure. He implies that, for the same reason, writers who encourage people to chase material success share Midas's foolishness:
We all know of such men. We are ever meeting or reading about such persons who turn everything they touch into gold. Success dogs their very footsteps. Their life's pathway leads unerringly upwards. They cannot fail.
Unfortunately, however, Midas could fail; he did. His path did not lead unerringly upward. He starved because whenever he touched a biscuit or a ham sandwich it turned to gold. That was the whole point of the story . . .
The Jews Hermann and Auguste van Pels with their son Peter,
Fritz Pfeffer and the Frank family were the folk hiding in the Secret Annexe.
They stayed inside, never leaving. They kept completely silent and keep the
curtains drawn. They have a ritual in the morning, the afternoon and evening contingent to the working schedules of the warehousemen to keep the laborers from discovering them.
