Answer:
Art from the distant past can appear surreal to the modern eye. Dragons and demons populate ancient frescos and medieval triptychs. Italian Renaissance painter Giuseppe Arcimboldo (1527–1593) used trompe l’oeil effects ("fool the eye") to depict human faces made of fruit, flowers, insects, or fish. The Netherlandish artist Hieronymus Bosch (c. 1450–1516) turned barnyard animals and household objects into terrifying monsters. Twentieth-century surrealists praised "The Garden of Earthly Delights" and called Bosch their predecessor. Surrealist artist Salvador Dalí (1904–1989) may have imitated Bosch when he painted the odd, face-shaped rock formation in his shockingly erotic masterpiece, "The Great Masturbator." However, the creepy images Bosch painted are not surrealist in the modern sense. It’s likely that Bosch aimed to teach Biblical lessons rather than to explore dark corners of his psyche.
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Explanation:
Poaching is the best way to preserve the beans in refrigerator
Answer:
C. Renaissance art featured human beings in their natural environment
Explanation:
The renaissance was a time when the human anatomy was a BIG deal look at the statue of David by Michelangelo
Answer:
true.
Explanation:
These authors, Shakespeare in England, Lope de Vega and Cervantes in Spain, and Molliere in France, are, amongst other great authors, definitive in the Renaissance periods in their own countries and in Europe in general. From the four of them, Shakespeare´s plays are perhaps the most realized and commented. Lope de Vega was, in Spain, considered to be one of the greatest of playwrights, and Cervantes, though mostly known for his Don Quixote, also wrote magnificent plays, like Trato de Argel and La numancia. Molliere, in France, was one of the most adored playwrights of King Louis XIV.
A "Shape" is two dimensional, an area defined by an outline. A "Form" is a shape that has the illusion of being three dimensional by the use of shading and/or perspective drawing.
Explanation:
