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Luda [366]
2 years ago
9

Which two details from paragraph 9 allude to a work of fiction, further supporting the

English
1 answer:
Oksi-84 [34.3K]2 years ago
3 0

To allude to a work of fiction, the text must cite the title or elements of that work such as characters, themes, scenarios, among others.

<h3>How is the allusion presented in a text?</h3>
  • Allusion is a figure of speech that allows a reference to texts, places, and people to be presented within another text.
  • Allusion serves to create examples, increase understanding, create relationships and extend meaning.

Therefore, to allude to a work of fiction, the text must present references to that work.

You didn't show the text you refer to, which makes it impossible for me to answer your question exactly, but I hope the above answer can help you.

More information about allusion in the link:

brainly.com/question/4144613

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Answer:

1914 Map

1.  Identify each of the countries numbered on the map.

The following countries shown on the map are:

1. Germany

2. Austro Hungarian Empire

3. Serbia

4. Bulgaria

5. Romania

6. Turkey

7. Greece

8. Italy

9. Netherlands

10. Belgium

11. United Kingdom

12. France

13. Portugal

14. Spain

15. Norway

16. Sweden

17. Russia

18. Albania

2. Colour in red the countries belonging to the Triple Alliance:

The countries belonging to the Triple Alliance were: Italy, Austro Hungarian Empire, and Germany.

The Triple Alliance was a formal military agreement between Italy, the Austro Hungarian Empire, and Germany, formed in 1882, which also existed during World War I. The main responsible person for the Triple Alliance was Otto von Bismarck, Chancellor of Germany. The countries who were members of this Alliance provided military help and support to each other during the military conflicts.

3.  Colour in green the countries belonging to the Triple Entente:

The countries belonging to the Triple Entente were: Russia, France, and Great Britain.

The Triple Entente represents an informal understanding between Russia, France, and Great Britain. It formed a powerful counterweight to the Triple Alliance of Germany, Austria-Hungary, and Italy. However, this was not an alliance of mutual defense.

4. Colour in grey the countries that make up the Balkan States

The Balkan States were: Serbia, Bulgaria, Romania, Albania, Greece, and a part of the Austro Hungarian Empire.

In 1914,  Balkans laid between the Ottoman and Austro-Hungarian empires. It was strategically placed and it helped European nations to achieve their invincibility. We can even say that World War I started in Balkans after Gavrilo Princip killed Franz Ferdinand in Sarajevo.

5. Draw a star where the city of Sarajevo is located.

Sarajevo was a part of the Austro Hungarian empire. In the attachment, you can find a map where Sarajevo is marked with a pink dot.  

Sarajevo was a very important place before World War I, as there Gavrilo Princip assassinated Archduke Franz Ferdinand and his wife Sophie. The main objective of Gavrilo Princip and his conspirators was to break off Austria-Hungary's Slav provinces so they could be combined into a Yugoslavia.  

6.  Draw a blue line where the area known as the "Western Front" is located.

In the attachment, you can find a blue line, which represents the area known as the "Western Front."

The Western Front was one of the main battlefields during World War I.

The main objective of this front was to prevent an enemy advance and seize control over the most important strategic areas.

The route of the Western Front was:  

Belgium, north-eastern France, Alsace-Lorraine, Luxembourg, western Germany.

7. Draw an arrow on the map to show the direction of Canada.

In the attachment, you can find a red arrow that shows the direction of Canada.  

Canada was located on the west side of the world, above the United States of America. In 1914, Canada was a part of the British empire. Britain declared war on Germany. When Great Britain declared war on Germany, Canada, as a member of the British Empire, was automatically at war, and its citizens from all across the land had to participate in the war.

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3 years ago
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Read the passage.
solmaris [256]

Answer:

this is a very long question

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2 years ago
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3) How has Katniss been adopted by political parties in the United States?
vlada-n [284]

AJennifer Lawrence in Hunger Games: Catching Fire

'Sure Katniss Everdeen is an idealised fantasy anti-authoriatarian heroine … What she isn’t is either 'girly' or interested in riches.' Photograph: Allstar/Lionsgate/Sportsphoto Ltd

All hail Katniss Everdeen of The Hunger Games trilogy. If you are the mother of a pre-teen girl, you will know the whispered relief around these films. "About time. Go!" If you would like your teenage daughter to see something other than the underclass sobbing on a crass talent show, orange twentysomethings Botoxing themselves, or girls who are just "naturally thin" and who giggle when their clothes just drop off, then you will already know about them. If, like me, you simply would like to see a young woman not defined by her relationship to men, crack open the pick 'n' mix.

Clearly I am not alone. Nor is my youngest. Catching Fire, the sequel to The Hunger Games, has had the fourth biggest box office weekend opening in history. Ever since the first film came out, my daughter read the books by Suzanne Collins and we have a shrine to Peeta, Katniss's fellow contestant.

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The books are neither warm nor easy, but then dystopian futures of totalitarian states (Panem, as it is called) only work when they're not so far from the imagination. In The Hunger Games, the rich and powerful control the Capitol and dress in grotesque Gaga-ish costumes while the poor live out in the Districts and are treated with increasing contempt.

This is a police state where "peacekeepers" kill and torture. Hegemony is maintained by giving them very little – that's why Katniss learned to hunt illegally – but staging huge spectacles: each District is "reaped" to find two people who are chosen for the televised Hunger Games.

So this is a satire on the kind of TV that its target audience watches. The games are a brutal contest to kill every other contestant. It is the logical conclusion of reality TV: survival of the fittest. At the centre of this is Katniss, played by the sparky Jennifer Lawrence, who is seen on red carpets in apparently awful outfits. What do I know? Every time I read these gown-downs, as I call them, I like the ones the fashionistas hate (Bjork wearing a swan being my all-time favourite). We have seen Lawrence being chatted up on camera by sleazoid Jack Nicholson, who, to be fair, is only three times her age. And we have seen her lose it in front of the paparazzi, screaming: "Stop. Stop. Stop." So she isn't just acting cool, she is cool and aware that she wants to keep her body healthy-looking, not a size zero.

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The obligation to be a role model is daunting and modern. I can't remember wanting to be anyone other than Mr Spock and David Bowie. The female bit is blank – my memory is only full of girls I did not want to be or never imagined I could be.

Since then, we pretty much have a roll-call of politically correct heroines, but still have to go some way back to find tough, independent women, from Linda Hamilton in Terminator to Sigourney Weaver in Alien, or Tarantino's fantasy of Uma Thurman in Kill Bill. Japanese cinema has produced some magnificent female characters, and, of course, we rewrite the "final girl" of the horror genre: in which, after several women have been raped/killed/tortured, the final girl turns the table and survives.

Lately though, for teenage girls, we have had Twilight's mopey and passive Bella Swan. Buffy the Vampire Slayer is long gone, so to see Katniss (more akin to Neo in The Matrix) as resilient and smart and reluctantly becoming a symbol of a revolution is quite something. Guys fall in love with her but she really has better things to do: the uprising. Unlike Russell Brand's fluffier talk of revolution, the movies do not shy away from the violence and executions that accompany the suppression of dissent, with the great Donald Sutherland's watery eyes conveying pure evil as the president.

Sure, Katniss is an idealised fantasy anti-authoriatarian heroine. She is also confused, stubborn and vulnerable. What she isn't is either "girly" or interested in riches. She makes her bow and arrows to bring down the system. Nothing is said about gender. She is taller than one of her partners and it's her physical and mental prowess that we root for.

i hope it will help you

please mark as brainliest

and rate it

Explanation:

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2 years ago
In one paragraph why would you say it is difficult to say no to people?
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3 years ago
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