Answer:
Desert Exile: The Uprooting of a Japanese-American Family is an autobiography by noted children's book author Yoshiko Uchida that chronicles her experiences in the years before and during her incarceration in an American concentration camp during World War II. It was originally published in 1982 by the University of Washington Press and reissued with a new introduction by Traise Yamamoto in 2015.
Uchida writes extensively about the Issei, especially through observations of her own parents, and how they responded to the enormous losses and humiliation wrought by the government's decision to forcibly remove all Japanese from the West Coast and into government war camps. It is a deeply personal book, one in which she tells of her father's abrupt seizure by the FBI from their home in Berkeley, California; of her family's frantic efforts to vacate their home on ten days notice; of being forced to live in a horsestall at Tanforan detention center; and of being sent on to Topaz, a bleak camp in the Utah desert, surrounded by barbed wire and armed guards. Through intimate, detailed accounts of the losses suffered over the duration of the years in camp, Uchida illustrates the lasting impact that the U.S. government policies had on Japanese Americans' economic, cultural, physical, and psychological well-being.
In the book's epilogue, Uchida explains her purpose in writing Desert Exile: "I wrote [the book] for the young Japanese Americans who seek a sense of continuity with their past. But I wrote it as well for all Americans, with the hope that through knowledge of the past, they will never allow another group of people in America to be sent into a desert exile ever again
Explanation:
Answer:
Poetic Form, Rhyme, and Meter: “The Song of Wandering Aengus” consists of three eight-line stanzas, each of which follows an ABABCDCD rhyme scheme. The rhyme scheme and tetrameter—four stresses, or beats, per line—lend the poem the tone of a ballad.
Explanation:
The answer is false.
Superstition is based more on irrational fears rather than rational
thinking. It was brought about due to an
ominous experience or occurrence that has later evolved into a system of
customs, beliefs and traditions of things people can’t explain.
Based on Kolhberg's theory and stages, Hanna's ideas show she is on the conventional stage.
<h3>What are the stages in Kolhberg's theory?</h3>
- Pre-conventional: Social rules are followed only because if not there is a negative consequence.
- Conventional: Authorities and social rules are accepted without questioning them.
- Post-conventional: Ethical principles are used to judge whether an action is good or bad.
<h3>What stage is Hannah in?</h3>
Hanna is in the conventional stage because she has already accepted authorities and social rules but she does not question the law.
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- Page 48. PERSONIFICATION " Valleys have ears". Of course, valleys don't have ears but it is implied that what is said could be listened by elves.
- Page 68. METAPHORE " Pale lamp-like eyes". Is is comparing Gollum's eyes. They were not clear, they were so pale that they resembled the light from a lamp.
- Page 212. SIMILE "It was like water in the sun, like snow under the stars..." They were refering to a stone, a white gem, that it was really beautiful.
- Chapter 9. HYPERBOLE "Eyes as big as saucers". It is considered an exageration.
The hobbit is full of figurative language. here, there is an example of each
