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Stells [14]
2 years ago
11

"I didn't want any more loitering in the shade, and I made haste towards the station. When near the buildings I met a white man,

in such an unexpected elegance of get-up that in the first moment I took him for a sort of vision. I saw a high starched collar, white cuffs, a light alpaca jacket, snowy trousers, a clear necktie, and vamished boots. No hat. Hair parted, brushed, oiled under a green-lined parasol held in a big white hand. He was amazing, and had a penholder behind his ear." In this excerpt from Heart of Darkness, Joseph Conrad employs characterization as a literary device. In 3-5 sentences, explain how Conrad uses characterization to support his view of the British Empire. Include evidence from the text to support your answer.​
English
1 answer:
Elena-2011 [213]2 years ago
7 0

Conrad uses the characterization of man to show how the British Empire presented itself in a haughty, superior air and representing luxury and wealth.

We can arrive at this answer because:

  • Conrad introduces a man who presented himself in a very beautiful way.
  • The man was a haughty figure, who was well dressed, good-looking, and wore elements that portrayed wealth, dominance, and prosperity.

This man represented the way the British Empire presented itself during imperialism. Because it showed itself to be a rich country and full of luxury and refinement, but it did so through the exploitation and control of peoples.

"Heart of Darkness" is a book that criticizes British imperialism in a very punctual way. You can find more information about this at the link:

brainly.com/question/1185851?referrer=searchResults

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I would just say Aubrianna Cosby..

Explanation:

Beah begins the story by describing the beginning of the civil war and his experience of it. He was ten when the war began, and his life was relatively unaffected. Sure, he read about it and watched the war through the news, but it was something that was happening far away from his peaceful life. Then, the refugees began pouring into Mogbwemo from other towns. But even then the war seemed unreal. The stories of the refugees were too terrible to seem real. Then, Beah flashes forward to January 1993. He's twelve, has an active social life, and is obsessed with rap music and dance. He sets out with his friends and brother to visit friends in Mattru Jong, and they stop to visit his grandmother in Kabati on the way. After finally reaching Mattru Jong, he learns shortly afterward that rebels have attacked his home, Mogbwemo. It is only after the attack that Beah reveals why the boys are not in school and that Beah's parents were divorced. During a flashback, we learn of the last time Beah and Junior see their father and mother. The parting is sad, part of a long saga of family issues and strife. We're reminded that these issues may never be resolved when the plot returns to the story line. The boys quickly return to Kabati, where they wait in their grandmother's village while survivors from Mogbwemo trickle in. The horrible state of the victims shocks the boys, and they realize that nothing is left in Mogbwemo. Again, Beah allows us a brief reprieve from the sickening events with a flashback; this time Beah remembers speaking to his father about the political explanations of war and corruption. Beah wonders if there could be a reason for all this killing. The boys end the story back in Mattru Jong, singing along to rap songs on the cassettes they carried in their bags when the left home. Beah copes with the situation with one more flashback, this time to a peaceful, happy Kabati before the war arrived.

I think that Beah creatively gives us details about his life as they become important and not a moment too soon. His father's silence, stepmother's arrogance, and his mother's grief are more emotional after the reader realizes that they may never get the chance to fix their family. In the midst of everyday life—strife, hobbies, and friends—war ends everything. The flashback to Beah's father explaining the reasons for war seem a bit forced. It's hard to believe that a thirteen-year-old took the time to think about the Sierra Leone independence in the midst of such a precarious present. The last flashback, however, is touching. When Beah remembers his grandmother and the peace of the village, the reader is reminded of how much has been destroyed and can never be recovered.

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