I'm guessing you meant Charleston. The British one that one.
It would be "Article 6" of the US Constitution that <span>proclaims the constitution as the highest law in the land, since this is one of the main tenants of federalism, in which the central government and the states share power. </span>
The correct answer is B) it made the economy weaker.
<em>The effect that the use of credit had on the economy in the 1920s was that it made the economy weaker.
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What happened in the 1920s is not complicated to understand. Due to the prosperity in the economy, the so called “Roaring 20’s” consumerism was the constant in the country. Many people began to buy what did not needed but wanted. With the use of credit, families started to buy things for the house, personal care, and new things that were advertised. With credit, they had the opportunity to pay the bills every month. But the problem was that people started to buy things that later they were not capable of paying. Consumers bought a lot of things they could not afford. That is why consumers weakened the economy in the late 1920s.
Answer:
The convention of representation depicted in the Lascaux cave paintings where the heads of the animals are in profile but their horns are facing forward is called the twisted perspective.
Explanation:
The Lascaux cave paintings (c. 17,000 BCE) are remarkable because the animals are depicted with a lot of vitality and detail for the time period. The Timeline of Art History on the MET's website describes cave paintings and engraving appearing on the ceilings or walls of caves as “parietal” art. It is likely the caves were more for ceremonial purposes than for providing a group or community shelter. At Lascaux, the artists used outlines for precision and detailed them with soft colorings that they likely blew onto the depictions using a straw-like tool. The animals at Lascaux are typically painted with a slight twisted perspective. This gives the drawing more visual power and sense of the animal in movement because their horns or antlers are painted from the front, but their heads are in profile. Scholars who have analyzed the paintings have found that this twisted perspective is also used in artwork originating from Mesopotamia and Egypt.
