Answer:
B
Explanation:
Billie, the oiler, dies at the end of the story.
Answer:
d.She is waiting anxiously for him to arrive.
Explanation:
In <em>Lamb to Slaughter, </em>Mary Malone is the perfect example of a fantastic wife because she anticipates her husband Patrick's every need and desire and goes ahead to perform it before he requests for it.
Before Patrick got home, Mary was waiting anxiously for him to arrive as she had already prepared dinner and set the lightings, drawn the curtains, and set the chairs.
Answer:c
Explanation: foreshadowing is the thought of something going to happen, if he is doing things without thinking of the consequence you can foreshadow that something bad is going to happen
If I had to guess, it would be "turning out just like his father".
Answer:
1. Humor
- 1. Are interactions silly or witty?
2. Flaws
- 2. Do the actions and descriptions of characters reveal weaknesses?
3. Ironic situations
- 3. Do characters react to one another in unexpected ways?
4. Exaggerated traits
- 4. Does the writer make certain things about a character larger than life?
Explanation:
The different categories for the given analysis questions are as follows-
1. <u>Humor </u>refers to the comical or funny characteristics of a scene of a character. So, the question of whether the interactions are silly or witty will fall under this category.
2. <u>Flaws </u>are the weaknesses or 'disadvantage' of a character or any subject. Thus, the question of whether the actions and descriptions of characters reveal any weaknesses or not will fall into this category.
3. <u>Ironic situations </u>are those types of situations where the expected outcome doesn't happen and we are led to a different ending or result. So, the question of whether the characters react to one another in unexpected ways will e put in this category.
4. <u>Exaggeration </u>is the words to describe things more than they really are. This category will include the question of whether a writer makes certain things about a character appear larger than life, more than he/she really is.