Answer:
B
Explanation:
A. Changing the sentence structure isn't a good way to control the pacing of the story because keeping a constant structure helps keep the story well put together
C. Making the narrator reliable is irrelevant because he doesn't need any credibility
D. Making the character's dialogues "sound more realistic" is not a way to control the pace of the story. People talking has nothing to do with how the story flows
Answer:
I believe it's: Samuel and Thompson "were swimming" in the ocean.
Explanation:
Hope my answer has helped you!
Answer: the history of aluminum foil
Explanation:
Answer:
current yield of bond = 5.90%
The coupon rate = 6.00%
Explanation:
Given :
Years to maturity = 3.5 years
Face value = 1000
Bond selling price = $1016.36
Yield to maturity = 5.48% with interest compounded semiannually
Using a financial calculator :
The current yield of bond = 5.90%
The coupon rate = 6.00%
Answer:
Realism, Ordinary Life, Quest for Spirituality
Explanation:
The features of the modern novel like realism, a quest for romantic love, an event of everyday life and frankness in sexual matters are exhibited in the story Araby. In the story, Joyce intends to portray the paralysis of modern life whether it is intellectual, or moral, or spiritual. The story is a depiction of everyday life of Mangan, an ordinary boy becoming an adult who looks back on a maturing experience of his youth. The boy is on a religious or spiritual quest while his sister represents a kind of goddess or an angel to him. The religious imagery indicates the absence of a spiritual vitality from Irish life. The emptiness, the decay and the banal dialogue show how religion is reduced to just empty ritual. The world of romance and imagination of the narrator is marred by the banal and tawdry world of actual experience. The final sentence shows the boy’s epiphany; he has known the absurdity of both Araby and his quest. The blind street and his trip to Araby appeared leading him to somewhere, but in reality, he stands where he began his quest.
