1) Gershwin's Porgy and Bess is considered a musical and a D) folk opera. <span>Porgy and Bess is a </span>folk tale which was taken as a basis of the opera. The first time Porgy and Bess was performed in Boston on September, then <span>it moved to Broadway in New York City which was a great success for composer and the troupe.
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2) "The question" in Charles Ives's The Unanswered Question is represented by B) the program. The composer gives<span> a narrative as in </span>program music, that is a type of music<span> that attempts to musically render an extra-musical </span>narrative. Even though Ives employed very creative technique, The Unanswered question was not popular and <span>was not performed until 1946.
</span><span>3) The American composer that was not influenced by jazz is A) Aaron Copland. The rest of composers were greatly influenced by jazz, which can be understood at the very beginning of any of their works. But Copland was different, he came up with his self-made style after three years of studying with Boulanger whose eclectic approach to music he found inspiring.
4) A fuging tune, by definition, includes A) imitative polyphony. A fugue is a contrapuntal compositional technique that is enacted in two or more voices, built on a musical theme that is introduced at the beginning in imitation. In music, imitation means repetition at different pitches. Fuging tune is special because it is tend to recur frequently throughout the composition.
5) The most important American composer of tone poems was <span>Edward MacDowell B) </span>Edward MacDowell. Tone poem, which is also known as symphonic poem, is a piece of orchestral music that illustrates the content of non-musical source. It was brought into the world by composer Franz Liszt and popularized in many works of Edward MacDowell, in his <span>second piano concerto.</span></span>
The Dogma of Ethos was a Greek philosophy, idea or belief that stated that certain instruments and modes affect the balance between rational behavior (Logos) and emotional frenzy (Pathos).
Explanation:
During the Greek ages, the Dogma of Ethos was a philosophy or belief that music had an influence on mind, behavior, soul and body of a person. The earliest Greeks did not like certain music pulse and rhythms to be played as they feared it would reveal immoral attitude and bring out bad ethos.
Hence, they had not allowed and tolerated certain music rhythms and beats to be played as their belief had made them believe that it would bring out evil behavior and ethos, strongly influencing the ones who would listened ultimately affecting the balance between rational behavior (Logos) and emotional frenzy (Pathos).
So, The Dogma of Ethos was a Greek philosophy, idea or belief that stated that certain instruments and modes affect the balance between rational behavior (Logos) and emotional frenzy (Pathos).
Learn more about values, ideas and societies about ancient Greeks from brainly.com/question/13108489
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Answer:
It's mostly in detail. You should draw the chest part more wider and don't draw the hip so small, since hips are what give emphasis to females. Add details of the jaw, emphasize the angled line to make it more masculine as compared to that of a female character. In drawing the shoulders, emphasize on the angles imitating the trapezius muscles and the collar bone. Hope this helps out!! :D This is what I use when drawing males.
Explanation:
There aren't any statements shown but I think i can help with the second part, artists in different times and places are influenced by the different things around them and by what is happening during that time.
For an example of different places; an artist at a beach would be more likely to draw the beach than an artist in a forest and the same way reversed.
An example of different times; an artist in the 1700s would portray people wearing different clothes than an artist would portray today.
