Prufrock has all the normal desires of a young man, but he is ultimately incapable of doing anything. He is compelled to think everything through, but it doesn't help him at all. The thoughts just can't transform into actions, in part because he is afraid, in part because he lacks confidence, and in part because he can see no sense in all of it. He doesn't "dare disturb the universe" by asking "an overwhelming question". He is only capable of entering trivial, petty interactions with the world obsessed with material, "the cups, the marmalade, the tea, / <span>Among the porcelain, among some talk of you and me". This matter renders Prufrock's existence futile, and he is all too aware of it. His intelligence doesn't help him at all, because it locks him into a self-indulgent, passive world, rendering him aware of all the impossibilities.</span>
Answer:
1. These people are always kind and very helpful.
2. That's the man, officer! I saw him robbing the post office!
3. I can't read any of these books because it's so boring.
4. All of these cars are parked in the wrong place.
5. I like that music very much.
6. How many of these exercises did you get right?
7. These are the students who were in my class.
8. Not any of those countries agreed to the plan.
9. Stop making all of the noise at once!
10. Where did you get all of that money?
Explanation:
Answer: The main idea is about humans relying on animals/pets and vise versa.
No, it is generally not true that when summarizing the of a plot, that one should notice the key ideas about how the conflict builds, since plot summaries depend less on why conflicts occurred, and more on why they occurred.
