Answer:
belief in life after death
Explanation:
Egyptians believe in afterlife led to the creation of funerary art objects for the burial site. According to the Egyptians, death was an interruption which can continue in the afterlife. Pharaohs and Queens, along with wealthy nobles preserved their body after death so that the soul could enter their body in an afterlife. Lots of funerary art objects placed in the burial sites for another journey. Canopic jars along with jewelry, ivories, ceramics, wood and other objects were placed with the preserved body.
Answer:
This lecture addresses issues of gender—masculine and feminine—in nineteenth-century art. It primarily focuses on works produced in France, corresponding with the standard narrative of the nineteenth-century survey. However, images produced in Britain, Belgium, and the United States are also addressed. These discussions could be expanded upon—and the lecture made more international—at the instructor’s discretion.
While gender is certainly a topic that could be addressed throughout the entire survey of art, the nineteenth century had very strong (and pervasive) ideas about how a “man” or a “woman” should behave. Men belonged to the public sphere, in the realms of politics, commerce, religion, and academia. They should be physically strong and serve as the breadwinners of their families. Women, on the other hand, belonged to the private sphere, raising the family and caring for the home, and should be delicate and demure.
Explanation:
C. “Pine Top” Smith is the answer.