Answer:
A seen that sticks with me is a terrifying one: I suppose that is why it has stayed with me for so long. The scene is when Boxer the horse. One afternoon, a van comes to take Boxer away. It has “lettering on its side and a sly-looking man in a low-crowned bowler hat sitting on the driver’s seat.” The hopeful animals wish Boxer goodbye, but Benjamin breaks their revelry by reading the lettering on the side of the van: “Alfred Simmons, Horse Slaughterer and Glue Boiler, Willingdon. Dealer in Hides and Bone-Meal. Kennels Supplied” (123). The animals panic and try to get Boxer to escape. He tries to get out of the van, but he has grown too weak to break the door. The animals try to appeal to the horses drawing the van, but they do not understand the situation. When Boxer realizes what is going on, it is too late. That was such a betrayal of the most loyal and useful animal on the farm.
Explanation:
The negro artist and the racial mountain was written in response to "The Negro Art Hokum" written by George S. Schyler.
Based on her letter to her niece, Austen can't believe that her niece is truly "in love". Austen believes that her feelings were simply due to the proximity of the man and because of it, she can't say that she is truly "in love". She mistakes her emotions towards the man as something that is deeper, love.
Society during those times doesn't believe and allow women to think for themselves. They equate women, particularly wives, as extensions of their husbands and because of such thinking, society believes that women can't think on their own and must do her husband's bidding.
To change or critige there work
The answer is us. we doesn't sound good at all
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