The calotype method created<span> a </span>clear<span> original negative image from </span>that<span> multiple positives </span>may well be created<span> by </span>straightforward contact<span> printing. This gave it </span>a vital<span> advantage over the </span>exposure method<span>, </span>that created an<span> opaque original positive </span>that might solely be<span> duplicated by </span>repetition<span> it with a camera.</span>
Movement-Shown when the elements imply motion in an artwork
Unity-The combination of elements in a harmonious way in an artwork
Proportion-refers to the scale of elements in an artwork
Variety- A combination of different elements in an artwork
1. Colour is the visual property of the pigment of an object that is detected by the eye and produced as a result of the way the object reflects or emits light. The human eye is capable of seeing millions of colours, making it one of the most diverse and powerful elements of art.
Each color has three properties—hue, value, and intensity. Hue is the name of a colour. Value is a colour’s lightness or darkness, which is altered when black or white is added. Intensity refers to the intensity of a colour, often measured by boldness or dullness.
Example of complementary colours in art, Hiroshige uses red and green to create contrast.
2. LINE
Line is an element of art defined as the path of a point moving through space. There are many types of line in art. Lines may be continuous or broken, and can be any width or texture. The great variety of line types make them an especially useful tool in artworks.
Example of gesture lines in art, Marino Marini uses big swooshing gesture lines that capture the action and energy of the subject.
3. SHAPE
A shape is an enclosed area of space created through lines or other elements of the composition.
Example of geometric shapes in art, Picasso uses circles, triangles, crescents, and rectangles.
I think it should be displayed like other works of art.
Minimum - a tendency that some have referred to as the "dematerialization" of art.Conceptual artists were influenced by the brutal simplicity of Minimalism, but they rejected Minimalism's embrace of the conventions of sculpture and painting as mainstays of artistic production. For Conceptual artists, art need not look like a traditional work of art, or even take any physical form at all.The analysis of art that was pursued by many Conceptual artists encouraged them to believe that if the artist began the artwork, the museum or gallery and the audience in some way completed it. This category of Conceptual art is known as 'institutional critique,' which can be understood as part of an even greater shift away from emphasizing the object-based work of art to pointedly expressing cultural values of society at large.Much Conceptual art is self-conscious or self-referential. Like Duchamp and other modernists, they created art that is about art, and pushed its limits by using minimal materials and even text.
