Oo-Oo, dam diggity-dog
Let them buns stay mad 'cause we livin' it up
Oo-Oo, Shelltops is on
And I'm popping like, I'm popping like, I'm popping some corn
And now, I don't wanna take you
If we fall down, don't get upset
And now is just the beginning
And we'll figure it out somehow
Right now, masquerade
Master the merry-go-round
Right now, masquerade
Master the merry-go-round
Right now
It's something you create
It's never ever too late
It's never ever too late
Right now
Okay to make a mistake
Yeah, baby, this is your day
It's time to masquerade.....
Yeah somewhat some pieces are nostalgic too!!
Hello there yessss u like kpop
He liked Jean Renoir and Orson Welles' work for their use of wide vistas and deep focus photography because he believed that these techniques would give viewers more opportunity to interpret what they saw on film as they would in real life.
<h3>Who was Andre Bazin?</h3>
French film critic and theorist André Bazin (18 April 1918 – 11 November 1958) was well-known and respected. In addition to co-founding the acclaimed film magazine Cahiers du cinéma in 1951 with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca, Bazin began writing about movies in 1943. His claim that reality is the primary purpose of cinema makes him stand out. His demand for objective reality, intense concentration, and the absence of montage are all related to his conviction that the viewer should be free to interpret a movie or scene as they see fit. This put him at odds with film theory from the 1920s and 1930s, which focused on how the movie industry could distort reality.
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