Answer: i think this is right
Explanation: When we talk about a melody-first songwriting process, we assume that we’re talking about writing a song where thinking up the melody, or at least a bit of a melody, is the first step. Then once we’ve got a good chunk of that working and sounding good, we then try to figure out what kind of chords are going to support it.
In fact, that’s not exactly the case. Any good musician (songwriter or otherwise) would find it next to impossible — and I might even say undesirable — to work on a melody without having any kind of notion what the supporting chords are. So in fact, a melody-first process means a melody and chords process.
The bottom note is considered the root. So, the middle note is the third and the top note is the fifth.
The triad is the basic chord and has three notes called the root, the third and the fifth. The root gives the chord a name.
The notes of a triad include the note letter name in the musical alphabet:
> A-C-E
> B-D-F
> C-E-G
> D-F-A
There is a triad's characteristic determined by its intervals. Known as qualities<em>, </em>they are <em>major, minor, diminished </em>and<em> augmented</em>. These are determined by the intervals in each one.
In modern music genres, chord symbols appear above the staff to show the performer the kind of chord he/she needs to play.
Musicians can build a triad on any note.
I'm not quite sure what you are asking for but in guessing you are talking about The Sistine chapel ceiling, painted by Michelangelo.
