1answer.
Ask question
Login Signup
Ask question
All categories
  • English
  • Mathematics
  • Social Studies
  • Business
  • History
  • Health
  • Geography
  • Biology
  • Physics
  • Chemistry
  • Computers and Technology
  • Arts
  • World Languages
  • Spanish
  • French
  • German
  • Advanced Placement (AP)
  • SAT
  • Medicine
  • Law
  • Engineering
SVETLANKA909090 [29]
3 years ago
12

A popular entertainer performed a rock-and-roll version of a bluegrass song on the grand ole opry in 1954. who was it?

Arts
1 answer:
Alexxandr [17]3 years ago
4 0

The Answer is Elvis Presley.

<span>The Grand Ole Opry is a weekly country music stage concert, which was founded by George D. Hay in 1925. The concert is in Nashville, Tennessee. Elvin Presley who was an American singer, actor and <span>popular entertainer, performed a rock-and-roll version of a bluegrass song on the grand Ole Opry in 1954.</span></span>
You might be interested in
Identify and describe each example of michelangelo’s art
-Dominant- [34]

Answer:

Euthyphro

Sophist and religious scholar of Athens

Euthyphro opens with the argument that 'Good is what is Holy'. He argues that sentient beings (people) are flawed and make bad judgments, whereas Gods are superior and possess far more wisdom than us; therefore what they command must be good. This can be refuted by pointing out that there are many different Gods, each of whom have different ideas of what is Good, thus making the Gods impossible to use as a source of morality.

Euthyphro's next argument is that what all the Gods agree upon is good. For example, most deities agree that it is wrong to kill a man without a cause. By asking Euthyphro to back this up you can cause the thinker to spout the same circular argument that the non-virtual Socrates did by posing to him the Euthyphro dilemma: 'What the Gods Agree Upon is Always Good' vs. 'If Things are Good, the Gods Will Agree on Them'. This demolishes Euthyphro's argument as it is shown that in order for what the Gods command to benefit mankind, the actions they command must have value rooted externally.

Protagoras

Sophist of Athens

Protagoras argues that 'The Source of Morality is the Self'. His reasoning for this is a simple logical elimination. The conversation with Euthyphro has already proven that morality doesn't come from the Gods, while Protagoras believes it unlikely that morality could come from rocks and trees, because, as a system that governs the actions of humans, it makes little sense that it would originate from our surroundings. This leads him to the idea that 'Morality is up to the Individual' as the only possible remaining option; an assumption that you point out to be flawed as there is always the possibility that alternatives have been overlooked.

Protagoras goes on to declare that there is nothing upon which everyone can agree and 'Whatever an Individual Believes to be Right is Right', which he backs up by saying that people disagreed on most issues in Athenian Democracy, and that there were even those who argued that 'Those who Speak out Should be Put to Death'. This is easily rebutted as you claim that in extreme cases such as these, the values of an individual can indeed be wrong. The evidence for this is that if Free Speech was punished, Science and Philosophy would be no more and society would cease to advance; thus morality can't be determined entirely by the individual.

Protagoras is then forced to put forth that 'All Morals are Subjective', meaning that they are dependent on situation. While it is agreed that this is an interesting thought, it acknowledges that there are factors other than the individual that affect morality, undermining his entire philosophy.

Thomas Hobbes

Political Philosopher and Author of Leviathan

Hobbes' reasoning is based upon his premise of 'The Natural Condition of Mankind', the substance of which is that men are selfish and in competition for the resources necessary for survival. This creates a 'Constant State of War' with all other men and in such a state there is no morality. Of course, this explains very little in terms of the complex societies that we live in today and can be refuted by simply remarking that people often work together in order to further the overall good in the world. For example, builders working together to build a house or philosophers working together to find the truth.

Hobbes affirms this, stressing that, despite there being no morality in the state of nature, it is our sense of morality that allows us to co-operate in such a fashion. He claims that this sense of morality is born through 'The Social Contract'. Hobbes supports this by offering that since the natural state is an extremely uncomfortable way of living, with no assurance of man's most fundamental self-interest of survival, mankind is impelled to seek peace through the formation of social contracts between individuals, each agreeing to give up some of our personal freedoms, most notably our freedom to harm, in exchange for greater security. This seems to be somewhat of a contradiction in that the theory is based upon the idea that mankind is selfish and will go to any lengths to improve their own prosperity. As the only benefits of the social contract originate from others giving up their rights, if people are as selfish as he claims, what is there to stop individuals from breaking a contract to seek the most advantageous situation; to keep their

Explanation:

this is more then you needed and may not even be what you need but i am sure you will end up useing it

3 0
3 years ago
Describe the characteristics of people functioning at the various extreme points on the wellness continuum
Alex17521 [72]

I think to that Some of the key characteristics of a fully functioning person

please don't delete this i am trying my best to help

8 0
3 years ago
8. The medieval period lasted approximately from what time period
tino4ka555 [31]
I think the answer is C.
6 0
3 years ago
Read 2 more answers
Please give a description of pointillism. Include the famous example of pointillism mentioned in the unit and explain what that
Afina-wow [57]

Answer:

a technique of neo-impressionist painting using tiny dots of various pure colors, which become blended in the viewer's eye. It was developed by Georges Seurat with the aim of producing a greater degree of luminosity and brilliance of color.

Explanation:

6 0
3 years ago
Read 2 more answers
What is the emotional aspect of a photographic critique?
chubhunter [2.5K]

Vivemos em uma cultura que valoriza a razão, o pensamento, a ordem, em detrimento da emoção, da intuição e tem dificuldades em lidar com a natureza caótica das coisas. Quando nos envolvemos com uma atividade, como a fotografia, tentamos organizá-la, mentalmente, utilizando os recursos racionais que empregamos diariamente para lidar com o mundo. Isso nos leva a priorizar a forma, os números, as regras e o método.

Consequentemente, nos vemos apegados aos aspectos técnicos das imagens, às especificações das câmeras, aos números, ou seja, a tudo que possa ser organizado e quantificado. Queremos saber quantos megapixels tem o sensor, quão nítida é uma lente, quantas fotos são feitas numa viagem ou num evento, quanto tempo dura uma bateria.


Jusni Nasirun

Mesmo a análise de uma imagem em si é geralmente racional. Tendemos a aplicar categorias técnicas como cor x preto e branco; nítido x borrado; sobre-exposição x subexposição. Quando as formas contidas na foto são harmônicas e facilitam a nossa organização mental necessária para ler o espaço, dizemos que há uma boa composição. Se há muitos pontilhados, dizemos que há muito ruído. A foto em si não está de fato sendo vista; não se olha para o seu conteúdo, apenas para a sua forma. Ou seja, costuma-se ler a foto em termos racionais e, num círculo que se retroalimenta, o fotógrafo, quanto mais envolvido com a fotografia, tende também a produzir imagens que funcionem melhor nessa perspectiva racional.

O que se percebe nesse cenário, no entanto, é que praticamente não há nenhum espaço para o aspecto não racional da fotografia. Não há lugar para o desenvolvimento de temas relevantes. O fotógrafo pouco se pergunta sobre o que fotografar. Sobre o que será seu discurso? O que, daquilo que ele vivencia, é relevante o suficiente para que ele busque construir sobre isso uma obra fotográfica? Qual o papel da fotografia na sua vida? Como se sente ao fotografar? Quais emoções ele provoca em quem vê suas fotos?

No geral, ele apenas fotografa em busca da fotografia perfeita em termos racionais e faz o que ele acha que deve ser feito: fotografa em viagens, em locais exóticos, usa estereótipos (o mendigo, a mulher bonita, o velho, a criança) sem de fato se relacionar com o que retrata. E, até por conta disso, tem dificuldades em abaixar a câmera e viver o momento. Fotografa, mas mal sabe o que, quando e porquê.

3 0
4 years ago
Other questions:
  • Which Italian artist became known in the Netherlands because of the influence he had on the Dutch painter Hendrick ter Brugghen?
    11·1 answer
  • Select the correct answer.
    13·1 answer
  • Foster discusses some theories behind why sleep is so important. In his third theory, what examples does he give of how sleep he
    6·1 answer
  • Bringing order from chaos, and creating an organization that seems to belong together which is pleasing to the eye best explains
    5·2 answers
  • Some things i should do right now:))))))))))))))))))))))0000
    15·1 answer
  • What is depicted in the image above?
    13·1 answer
  • The scream, painted by Edward Munch, has become a cliche’ because it
    7·2 answers
  • Here are some points and talk if you like and have fun(╯▽╰ )
    12·2 answers
  • A cantilever is DIFFERENT from a post-and-lintel method of construction because a cantilever:
    11·1 answer
  • Compare and contrast the two representations of the Sacrifice of Isaac by Brunelleschi and Ghiberti. What are the Classical elem
    13·1 answer
Add answer
Login
Not registered? Fast signup
Signup
Login Signup
Ask question!