Representational structure is most likely the term you're looking for.
If you are familiar with the art of Pablo Picasso, you have a good example of someone who produced works of analytic cubism. There's not a use of perspective to give shape or depth to the figures. Instead, shapes are overlapped and structured in ways that represent the idea being presented. Do an Internet search for Picasso's 1909 painting, "Houses on the Hill Horta de Ebro," and you'll see the effect. You get a feeling of houses on a hill, even though everything is presented in layered cubic shapes.
Boston tea part 2 i think
This excerpt shows how Debs has endured and shared the harsh working conditions of laborers (D.).
Many verbal groups indicate his physical involvement in the working people's daily life and how it affected him emotionally:
- "I had ... been stung by the exposure ... of the rail;"
- "I was with the boys ... at the broken engine's side;"
- "helped to bear;"
- "feel the burden."
As for the harsh working conditions, they are described by the following nouns and adjectives:
- "hardship;"
- "weary;"
- "bruised and bleeding bodies;"
- "burden."
We know that they are laborers and not, for example, business owners, because their work is very manual. Besides, the term "working class" appears in the text, as well as "Proletaire" which is borrowed from French and means "belonging to the lower social classes."
