Antigone and Ismene, the daughters of Oedipus, discuss the disaster that has just befallen them. Their brothers Polynices and Eteocles have killed one another in a battle for control over Thebes. Creon now rules the city, and he has ordered that Polynices, who brought a foreign army against Thebes, not be allowed proper burial rites. Creon threatens to kill anyone who tries to bury Polynices and stations sentries over his body. Antigone, in spite of Creon’s edict and without the help of her sister Ismene, resolves to give their brother a proper burial. Soon, a nervous sentry arrives at the palace to tell Creon that, while the sentries slept, someone gave Polynices burial rites. Creon says that he thinks some of the dissidents of the city bribed the sentry to perform the rites, and he vows to execute the sentry if no other suspect is found.
The sentry soon exonerates himself by catching Antigone in the act of attempting to rebury her brother, the sentries having disinterred him. Antigone freely confesses her act to Creon and says that he himself defies the will of the gods by refusing Polynices burial. Creon condemns both Antigone and Ismene to death. Haemon, Creon’s son and Antigone’s betrothed, enters the stage. Creon asks him his opinion on the issue. Haemon seems at first to side with his father, but gradually admits his opposition to Creon’s stubbornness and petty vindictiveness. Creon curses him and threatens to slay Antigone before his very eyes. Haemon storms out. Creon decides to pardon Ismene, but vows to kill Antigone by walling her up alive in a tomb.
The blind prophet Tiresias arrives, and Creon promises to take whatever advice he gives. Tiresias advises that Creon allow Polynices to be buried, but Creon refuses. Tiresias predicts that the gods will bring down curses upon the city. The words of Tiresias strike fear into the hearts of Creon and the people of Thebes, and Creon reluctantly goes to free Antigone from the tomb where she has been imprisoned. But his change of heart comes too late. A messenger enters and recounts the tragic events: Creon and his entourage first gave proper burial to Polynices, then heard what sounded like Haemon’s voice wailing from Antigone’s tomb. They went in and saw Antigone hanging from a noose, and Haemon raving. Creon’s son then took a sword and thrust it at his father. Missing, he turned the sword against himself and died embracing Antigone’s body. Creon’s wife, Eurydice, hears this terrible news and rushes away into the palace. Creon enters, carrying Haemon’s body and wailing against his own tyranny, which he knows has caused his son’s death. The messenger tells Creon that he has another reason to grieve: Eurydice has stabbed herself, and, as she died, she called down curses on her husband for the misery his pride had caused. Creon kneels and prays that he, too, might die. His guards lead him back into the palace.
More formal language in online communication increases perceptions of speaker competence, according to research on discourse formality in marketing, but conversely, people are more likely to like and trust speakers who use informal language because they come across as friendlier and more approachable.
Formal language can affect consumer sentiments in cultures where it denotes honorific rank, such as Korean, because it affects the implied meaning of the communication.
<h3>How to explain the information?</h3>
The rich honorific system in Korean is one of the language's most distinguishing characteristics. Korean speakers are required to communicate at a level (deferential vs. casual) appropriate to the position of the intended audience.
Korean honorific system itself serves as a natural prime for regulatory orientation given that the context of deferential (informal) communication reflects the setting for a prevention (promotion) focus. As a result, advertisements written in an informal, deferential tone are more likely to be deemed appropriate for use with utilitarian (hedonistic) goods.
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Uhhh. Are you suppose to describe them?
If so then describe the different designs on each one of them. Uhh how many they were..
This poem by Shakespeare reflects that how a misery and trouble can affect to the closest ones. At the beginning of the poem/song Amiens talks about the bitter cold wind.
Explanation:
- This poem by Shakespeare reflects that how a misery and trouble can affect to the closest ones. At the beginning of the poem/song Amiens talks about the bitter cold wind.
- It also says that wing and storm can be thunderous but it can not be as dangerous as human beings.
- This poem by Shakespeare, talks about the characteristics of a person.
- It also says that you rather have a freezing season that to have a friend who would harm or hurt you.
- Nature is more trustworthy than a human being.
Its where someone or something gives you something to comeplete
